Tag: Zandi Tisani

  • INFINITY STUDIO Residency // unpacking privatization, militarization and escapism in South Africa’s urban landscape

    INFINITY STUDIO Residency // unpacking privatization, militarization and escapism in South Africa’s urban landscape

    “Militarized urbanism” – a term coined by geographer Stephan Graham. A term that describes the existence in South African cities, and is lived through the ubiquity and perceived necessity of concrete and electrified boundaries, pin codes, guard posts and CCTV.

    INFINITY STUDIO, a residency curated by Bubblegum Club and CUSS, will see invited artists from various disciplines explore the meaning and everyday operation of privatization, militarization and escapism in South Africa’s urban landscape. The residency taking place from 29 March to 2 April is the first step for the INFINITY STUDIO program at Kampnagel in Hamburg in the frame of the Live Art Festival #8: SUPERSPACES.

    This residency is organized as a curated tour which will see participants travelling to various spaces and events around Johannesburg. It is treated as a form of fieldwork or immersive brainstorming, and real life critical engagement with ideas around enclave communities, boundaries and surveillance in relation to fears about real or imagined dangers in urban spaces.

    Participants include Bubblegum Club, Bogosi Sekhukhuni, CUSS, Daniel RautenbachFAKA, Hlasko, Kerry Chaloner, Michelle Son, Mona-Lisa Namér, PURE, Rich Mnisi, Rose Bonica and Zandi Tisani.

    INFINITY STUDIO is produced by Kampnagel and Bubblegum Club, with the support of TURN – Fund of the Federal Cultural Foundation of Germany as well as the Goethe Institute.

    Freedom Park- Here to Make Everything Perfect

    Freedom Park is a lifestyle experience unparalleled in the Gauteng city-region. An oasis of peace and community, our estate residents enjoy both easy access to the thriving financial and business center of Johannesburg, and complete security from the chaos of the urban environment.

    It is no secret that Johannesburg is dangerous, and that hard-working, decent citizens like yourself are threatened by depraved and squalid crimes. But it’s falsely believed that only the elite can afford total protection. At Freedom Park, we offer the complete security lifestyle experience at a competitive price. You and your family will wake up to the sounds of bird singing and go to bed smiling, safe in the knowledge that any dangers will be anticipated and removed with no mercy. You don’t need to be a multi-millionaire to enjoy multi-million peace of mind.

    Our beautiful facilities cater to all tastes, from the rustic to the modern. Housing units are designed to the utmost architectural standards, and you may never want to leave your home again.  But we hope you will come and enjoy our family restaurants, affordable mall space and driving range.

    Your children will love the dedicated play areas. And for those looking for adult playtime, our resident’s leisure committee organises discreet thrills, which push the boundaries of sanity and morality. You can even try on a new personality for size, with Freedom Park selected as one of the pilot sites for an experimental augmented reality center, offering experiences that are out of this world.

    Freedom Park enjoys guaranteed tranquility.  Our estate security committee is prepared to get their hands dirty when the police won’t. Onsite staff bring in a wealth of combat experience from their time in Iraq, Afghanistan, Somalia, Libya, Mexico, Nigeria and Syria. The recently opened community detention center is on offer to resolve family disputes. And as an exclusive service, our guards are happy to assist in aggressively resolving any offsite challenges.

    Freedom Park offers a complete lifestyle paradise, free of all anxiety. Why should you have to die to go to Heaven?

  • Girls in Film // a network for womxn in the film industry

    Nikola Vasakova is the founder of Girl in Film (GiF). Working as a video producer in London, she knew a lot of women who worked in film in different positions but they all did not know each other. Nikola expressed that it can be quite isolating being a womxn in the film industry, so she decided to put together an evening where all of her girl friends in film could get to know each other. The response to this event was an indication of how necessary it is for womxn to support one another through their various positions in the industry. “Straight from the start it turned out this was something that people were really into and lot more people turned up than I expected. It grew from a small gathering of friends to a 200+ guest list of women from the film industry in all capacities,” Nikola explained. With this enthusiastic response, GiF has grown and continues to articulate its core objectives – to connect, champion and support a new generation of female-identifying filmmakers through their events and online platform.

    Connected to this is Nikola’s advocacy for finding new ways for visual storytelling from the point of view of the female gaze. “We need stories with the ‘female gaze’ as much as with female sensitivity to characters, their stories, the message that they or the directors want to convey. There’s a lot that’s missing in current film landscape, stories that have for a long time been missing in our discourse whether those they touch on human rights, sexuality or identity and I find this is what interests female directors a lot at the moment, so I’m excited to be giving platform to those voices,” Nikola expresses.

    Having hosted events in London, Prague and New York, GiF will be coming to Johannesburg on the 18th of December. In its first GiF event in South Africa,  Zandi Tisani, Bee Diamondhead, Sihle Hlophe, and Phatstoki, will dissect the topic of young womxn spaces, race & politics in the South African film and creative industry.

    I had an interview with Nikola to find out more about GiF and the event in Johannesburg.

    Who is part of the GiF team and what is everyone’s creative background?

    Nikola – I’m the founder, producer and curator of our online output. I’m mostly running GiF in UK on my own but I’m surrounded by incredible women that help me on the way – like Julie Machin who is producing our Jozi event. There’s Julie Zackova who is running GiF in Prague. There’s also a string of freelance writers, spearheaded by amazing Leah Abraham that has contributed many articles to our website. Jaqueline Awuku and Dora Cohnen who researched so much content for the site. Many other people on the way that helped with events, writing, connecting etc, big shout out to Vanessa Dos Santos in US too! I’m connecting with people in NYC to make our event there a regular occurrence.

    How has GiF evolved since it first started?

    I’m still in awe that from a small idea that started as a friends gathering in 2016 we have now visited NYC, Prague where we now have a solid branch and have come to South Africa! That’s huge for me, I really never dreamt things would happen so quickly and I’m so happy and humbled that women around the world are responding so positively. I’m really excited for the future – I have big plans to 2018 but I don’t want to get ahead of myself yet.

    Why do you think it is important for GiF to have an online presence in addition to the events you host?

    Events are great way to connect with people IRL instead of just URL – however, not everyone lives in large cities – it’s important to represent voices in different parts of country or different countries and give them platform too – which is why I started the online video platform.

    It appears that GiF is based on an intersectional foundation. Could you please share more about this?

    GiF has always been intersectional largely due to the community it grew out of. As an immigrant WOC in London, surrounded by other WOC, representation of racial and social diversity was never a question for me. Initial name ‘Girls in Film’ was mainly penned as I liked that it spelled out ‘GiF’ which is a nod to digital culture that we are all experiencing at the moment – rather than routed in the traditional film & TV, GiF mainly represents new generation of filmmakers who’s films are often found online than on terrestrial channels. However, by having ‘girls’ in name doesn’t mean we are ageists or exclusive of non binary, female-identified people. So yes, intersectionality is very important for us to communicate.

    Could you share more about the kinds of events you have hosted in London, Prague and New York?

    We have hosted screenings, workshops and panel talks with leading figures in the industry.

    What influenced your decision to come to Johannesburg this year?

    Julie Machin, who is part of our GiF family has been working in Jozi on and off over the years and during her last visit, she decided it would be great to set up GiF event as there are so many great creative womxn doing interesting stuff. Conversation about representation in the industry are as valid here as they are everywhere else and Julie spent some time talking to creatives in Johannesburg to make sure this event is their own and they can decide what they feel is important to talk about.

    How did you decide which films would be screened on the 18th?

    Curating films for GiF always lies in finding the talented creative voices and stories that are relevant to the audience in each territory. Johannesburg will probably be different to Prague but that’s the exciting part. However, the quality of filmmaking stays the same throughout all our curation. We are selecting films from the speakers but we’ve also chose to open the event with Femme in Public from Jabu Nadia Newman. She’s in Cape Town so a bit of her will be with us and we feel her film will also be a great catalyst to open the discussion about the non-binary representation on and in films.

    How did you decide who will be part of the panel discussion on the 18th?

    As we are talking about race, we wanted to make sure that women of colour are navigating this discussion and we were lucky to be able to secure these amazing womxn (Zandi Tisani, Bee Diamondhead, Sihle Hlophe, Phatstoki, Palesa Shongwe) to come and share their knowledge and opinions on stage. We also wanted to make sure we bring together highly creative minds and a great representation of diverse voices by their style and industry specificities. Phatstoki is the new generation. Bee is highly successful and navigating in between creative and commercials projects. Zandi is making moves with her TV show in development and her long feature project. Sihle has so much experience and her new film is touring festivals now, and being able to have Palesa Shongwe as the host will bring a lot of knowledge in the discussions.

    What are you hoping will be the outcome of GiF coming to Johannesburg?

    We hope people leave inspired and that we inject some self confidence in womxn that want to pursue career in creative and film industry. And also hope that this is the first in many more to come!

    The event will take place on 18 December at The Bioscope in Maboneng from 18h45.

  • Bee Diamondhead // the queen of tattoos, piercings and Instagram stories

    Bee Diamondhead is a name so molded into the South African fashion scene that it is almost difficult to distinguish the two as separate entities. During her rise in fashion as a stylist, editor and creative director there has been a great deal of media coverage on her background and work. In this article we try to get behind the face that is Bee Diamondhead and get to know the strong woman behind the daunting title and array of experience.

    If you have Bee on social media you would be able to agree with me that she has the ability to create a personalized experience for her audience from her selfies and zero fucks given Instagram stories that often follow the format of informal chats with people when she is out partying. Bee’s social media, fun and sassy in nature, can offer you something super cool to look at if you need a distraction from that stupid fuckboy that just slipped into your DM’s.

    In our interview with her she reveals that she does not curate her Instagram gallery though it might be perceived as an editorial statement and her stories a bit of a reality show. Expressing that for her, social media’s purpose is having fun. “I think generally people take it way too seriously. It should just be fun. It’s not as serious as people make it out to be.”

    Bee tells us that her Instagram stories are made on impulse and are a way for her to sometimes get things off her chest. Taking enjoyment in what she refers to as social media rants, she is just there to have a good time. Instagram and Twitter are the only social media platforms Bee interacts on as they are the ones she feels allow her not so serious side to flourish.

    “I don’t really care what people think or say. I felt like on Facebook people are way too serious and my life gets very serious. I spend a lot of time alone and I need to have fun. So if I’m going to go on social media it can’t be too serious. Twitter, I talk a lot of shit on Twitter. I engage a lot on Twitter, a lot of the time I shouldn’t. I’m totally black Twitter. Pro women, pro black girls and I get into a lot of fights. I have to check myself sometimes.”

    Identifying as pro black women, Bee is unapologetic about who she is. She does what she wants to do, goes where she needs to go and hopes that she inspires other black women to do the same and inhabit any space that they want to inhabit. If you love the coming of age teen rom-com of the 90s, Clueless directed by Amy Heckerling as much as I do, perhaps you’ll agree with me that Bee shares some similarities with Dionne Davenport who’s character was known for her witty one liners and killer fashion sense.

    Bee’s multiple piercings and tattoos are just as recognizable as her styling and social media presence. With her first piercings having been done by her mother with a needle and thread while she was a toddler, Bee’s piercings and tattoo journey has become a bit of a tag team mission with her mother. “My second piercing was with my mother. I was visiting her in England where she lived at the time. I decided I wanted a belly ring and my mom took me. She got a tattoo the other day and I’m going to go visit her soon. She’s booked another tattoo for us. She’s waiting for me to send her a design. Who are you?,” Bee expressed jokingly as if directing the question at her mother, “I guess that’s where it comes from. I have 14 piercings now.”

    This spontaneity and wanting to connect with real people relates to one of the activities that she finds most inspiring. “One of the best things for me to do is to go into town and like walk around, be in spaces that I don’t spend a lot of time in. Just being down so to say. Just being like ubuntu, you know. And not feeling myself too much… It keeps us honest and it keeps us authentic. And we need that for sure.”

    Bee’s desire for honesty and authenticity is filtered into how she approaches her work. Creatively, she loves learning worlds and coming up with strong concepts based on this. Investing time into figuring out every aspect of the person she is styling or the context around a project she is working on allows her to build a story and fully capture characters through garments.

    She has also taken this year to be part of projects that are close to her heart including working with the filmmakers Zandi Tisani and Laurence Hamburger. She has also been working as an art director and casting director for artist and long-time friend Kudzanai Chiurai for his latest exhibition which will be showing at the Goodman Gallery later this month. Having collaborated together for the past 11 years, Bee explains that this exhibition is particularly special. “We work really closely together on all his exhibitions and this one was special because this is our last one this series that we have been doing for the last couple of years and he is not going to bring out any work for a while. So it is going to be the first time in years that we are not doing this work together. We have become like family and the work has become very special to the both of us. I am excited for it to come out.”

    Bee continues to inspire many up-and-coming people in the fashion industry with her kick-ass attitude and drive to push styling and art direction into a new realm.

    Photography & Styling: Jamal Nxedlana 

    Hair: Mimi Duma

    Makeup: Orli Meiri

    Photography & Styling Assistant: Lebogang Ramphate