Tag: united kingdom

  • Sula Collective: an online magazine for and by people of colour

    Co-founders of Sula Collective, Sophia Yuet and Kassandra Piñero joined forces after meeting online while working for another online publication. Both being art majors, photographers and writers, their creative endeavors were bound to conjoin. I interviewed Kassandra to find out more about Sula Collective.

    Tell our readers about the name “Sula Collective”. How did the idea for Sula Collective come about?

    I came up with the name while brainstorming ideas related to literary figures of color. I was a writing and literature major at the time so that was where my main source of inspiration for everything came from- me referring back to books. Toni Morrison is one of the greatest writers of our time so by searching for her I came across Sula and it was the perfect fit.

    What has been the reaction to Sula by those who contribute to it and those who engage with it online?

    People are extremely supportive! We haven’t really faced any backlash which we’re extremely grateful for. A lot of people are interested in contributing to both online and print issues, but the enthusiasm for print is a bit stronger which is understandable – there’s nothing like holding your work in your own two hands. But all around everyone is just happy to be receiving representation for once which is what we’re most proud of.

    Tell our readers about some of the offline developments that have taken place since you started in 2015.

    We’ve only hosted two events personally which were picnics in New York and London, but we’ve attended many zine and print fests since then. We have also hosted zine making workshops and the like. We’ll be getting more into offline engagement this year!

    Photography by Ihab Amari

    Tell our readers about why you feel creative mediums offer an opening to the sharing of hopes, frustrations and experiences for people of colour?

    I’ve been writing since I was a little kid and at one point considered stopping because I had never read any books about Puerto Ricans, and that was the only life I knew. Once I got older and realized I was represented in literature and art I became a more confident person and no longer hesitated in calling myself an artist. So when Sophia and I created Sula that was something we wanted to give back to our communities. Kids and adults shouldn’t have to go to specialized sections to read about our own people. Whiteness should not be the default and we wanted to be a part of that representation. The internet today is the main source of information for young kids just beginning to find themselves, and Sula is a place where these kids can see others who are of the same ethnicity or nationality creating all kinds of work. That’s an extremely important thing for them to have as they are coming into themselves as fully grown human beings. All too often we come from homes where emotions aren’t shared openly as is common among people of colour, so to give people a place to vent and explore themselves as artists is an important thing. We want all types of art to be represented among us and not just the kind your middle school art teacher tells you is important. We are open to all mediums.

    Tell our readers about the importance of people of colour establishing a relationship with the online on our own terms through platforms such as Sula Collective?

    The relationships we have all formed through Sula are some of the closest friends we have ever made! I’ve met some of my best friends through this magazine and am surrounded by so many people who support my art and have helped me become a more confident person. We can’t stress the importance of community enough. Life is a lot easier when you have the reassurance that comes with a community who endlessly loves and supports you.

    What is the vision you have for Sula?

    Sophia and I hope Sula can become something much bigger than it is now. We’d love to expand to helping our communities in ways more tangible than we are now by hosting events and workshops and other things. We don’t want to give away too much just yet! We love being a magazine and we love being so focused in the arts, but we want to help be part of the movement and we’re brainstorming ways to do so.

    What are you working on at the moment?

    We just released our Spring issue and our next online issue will be out June 1st! We should have a two year anniversary issue out in September and maybe a special event to go along with it so keep your eyes peeled.

    Photography by Pinky Ortiz
    Photography by Amarachi Nwosu
  • Lady Leshurr is Coming for the Throne

    You know how Kanye has said that he knew when he wrote the line “light-skinned friend look like Michael Jackson” on “Slow Jamz” that he was going to be a big star? When I heard “I’ve got a dark skin friend that looks like Rachel Dolezal, And I’ve got a light skin friend that looks like Rachel Dolezal,” on Queen’s Speech 4, I knew the same would be true of Lady Leshurr.

    The 28-year-old British rapper has risen/is rising (depending on if you’ve heard of her, I guess) through her punchy series of 6 freestyles titled The Queen’s Speech, each of which is accompanied by a single shot music video. The speeches are full of put-downs, pop-culture references, hygiene tips, British slang and visual wordplay that deftly straddles the line of fresh and cheesy. If you’ve been out on the jol and you’ve heard hooks like “That’s nasty, change your panties” or the succinct “Brush your teeth” in a thick Birmingham accent, that was Lady Leshurr. There’s a playful meanness to Lady Leshurr’s raps that would qualify her for the dais of any roast or as a guest on the now defunct Nevermind The Buzzcocks.

    The rapper has been putting out mixtapes and EPs as Lady Leshurr officially since 2009 but apparently dropped her first tape when she was just 14. After 14 years of working on her craft, Lady Leshurr is finally working on her first album with a truly impressive team of producers. We’re talking about the likes of Deputy (Bitch Better Have My Money), Bangladesh (A Milli, Video Phone) and Timbaland (everything in the 2000s), so if you hadn’t heard of the queen before today, it’s only a matter of time before you hear her everywhere. When exactly? I’m not sure. Her social media says she has a new single called “Juice” coming out “soon”, as well an EP called “Mode”, also coming out “soon”. So, it shouldn’t be too long after that she drops her debut full length. Until then though, you have 9 mixtapes and 4 EPs to get you up-to-date with the queen of the British rap scene. Trust me, this is one of those times you’re going to want to do your homework.

     

  • Creative Open Call announced by the British Council’s Connect ZA Arts Programme

    The British Council’s Connect ZA Arts Programme supports, highlights, and extends collaborative cultural exchanges between South Africa and the UK. They work across a wide variety of art forms in order to discover and nurture new and existing talent and connections between young people aged 18 to 35. They’ve been pioneering innovative ways to understand and engage creativity for three successful seasons and, following hot-on-the-heels of the reconceptualization of their visual identity in partnership with Bubblegum Club, are launching their next dynamic and exciting phase through the 2016/17 Creative Open Call.

    Whether you are an individual, a small to medium sized creative organisation, or a large scale cultural institution, Connect ZA invites your bold proposal to culminate in a “high quality live, or digital performance, showcase or other public facing event” through the open call titled ‘New Partners, New Projects, New Spaces’. As the call states; “We are looking for a strong mix of projects that may be a combination of more than one art form” but there is particular emphasis on proposals engaging the sectors of live performance and visual art. The call also strongly encourages applications from women in order to try to address issues of their underrepresentation within creative industries.

    Connect ZA are eager to back original and potentially ground-breaking new projects that are devised and designed for a contemporary urban context, as well as for the correct age demographic. It is also important that proposals are mutually beneficial for artists, audiences, and participants in both countries and that they are able “to engage and extend reach across multiple digital platforms,” such as social media. There are amounts of up to £3 500, £7 500, and £15 000 available within the three different Creative Categories so, if you have a great idea, but aren’t able to realise it without some financial support, check out the full guidelines here and download the application form here. Take note that applications close on Monday 18 July 2016. Fingers crossed!