Tag: umlilo

  • STASH CREW’s latest EP is the electronic soundtrack for a gender fluid future

    STASH CREW’s latest EP is the electronic soundtrack for a gender fluid future

    The future is gender fluid. Probably. I mean, if there is a future. With the current climate, who knows how much longer we’ll inhabit this planet for? What I do know is that more people these days are starting to open up to the idea that sexuality is a spectrum and so is gender, which bodes well for a less binary future. STASH CREW’s GENDERFLUIDZ, as you can probably tell by the title, is a jacked up electronic soundtrack for that future.

    Right off the bat, we’re greeted with a booty popping opener called Pop (Dat) which I can only describe as Smack My Bitch up in a washing machine of bass. It’s a fun opener that gives you a solid idea of what you’re in for over the next 7 songs. You’re in for is a queer as fuck retro-futuristic rap-rave jol. Think Die Antwoord, but with less cultural appropriation and more lyrics about women eating pussy.

    “The realities of living as a queer person in South Africa are brutal. We are inspired by the transformative and inclusive possibilities of queer culture and how we can counteract the challenges and violence that queer people face on a daily basis,” STASH CREW explain in their press release, “We want more queer positive, sex positive people celebrating themselves and their wants and desires – and dancing every damn day”.

    GENDERFLUIDZ will definitely get you dancing, and it truly is 2 queer kids from Jozi celebrating themselves, with touches from Umlilo, HLASKO and Schall Regall. Whyt Lyon, Phayafly have a close working relationship with Umlilo. In 2017 they toured Brazil and Germany with Umlilo as part of their ‘Queer Intergalatic Alliance’ collaborative project, and Umlilo also features on their bonus song and video for GENDERFLUIDZ, Mad as Hell.

    Photography by Corrina Mehl

  • A.L.V – Sonic Myths

    A.L.V – Sonic Myths

    The occult has a long standing overlap with popular music. The notorious and influential magician Aleister Crowley appeared on Beatle’s album covers, while esoteric beliefs fueled the work of Led Zeppelin and David Bowie. The convergence is not surprising – magicians and musicians both mine the subconscious for blazing inspiration, creating art and rituals to initiate personal or collective transformation. At their core, their work is the same- summoning new realities into existence.

    South African musician and artist Amani Lenny Vallihu aka A.L.V candidly situates himself in this historical continuum. “Esoterica and the art of Magic, of the implementation of one’s will, have always played a great importance within my oeuvre”, citing Egyptian Kemeticism, the Voudaun and Thelemic Magic as just some of the mystery schools he has extensively explored. Ritual and experimentation have informed all his work to date, including the enticing and enigmatic albums Swan/Void, Pinnacle and Prince of Darkness. These solo projects have been accompanied by multidisciplinary collaborations with Umlilo, Baloji and Spoek Mathambo.

    Darkness is perhaps the recurring motif in his prolific body of work. That is darkness “without evil” – rather than supernatural terror, he is focused on using myth as a “path into unknown ventures of self”. For the last two years, he has focused on planning Majesty, an album which aims to surpass everything he has done before. The goal “was to create an album that was predicated in philosophy, meaning and interpretation that can radicalise the way we view consciousness, ourselves and certain truths that relate to Primordial and Ancient myths. So Majesty is in essence, a sonic myth”. Each song on the album is linked to a different cultural representation of primeval force, from the giant Typhon of Greek mythology to the malevolent Cthulhu.

    The recording entailed active “experimentation and advancement” of his own reality.  “There was a huge amount of real influences, spirits, entities and primordial beings entering my consciousness every day, to create the album and also to change me as a person”.

    The result is music designed to propel the listener into the vast realms of the unknown, with all its mystery and promise.

    AIWASS (HOLY-GUARDIAN-ANGEL) – THE TRUE-WILL CURRENT from A.L.V on Vimeo.

  • Umlilo and Whyt Lyon – Glory Bois

    One of the most visually opulent artists working today, Umlilo has been winning ears and hearts with their bold fusion of kwaito, rap and bubblegum pop. Since their debut EP in 2013, Umlilo’s project has been exploring the tragedies and triumphs of life in a world of repressive gender politics. Their artistic comrades in the struggle is the Johannesburg electro-rap Stash Crew. Frustrated by the erasure of LGBTQ identity in mainstream culture, they combined their talents in 2016 with the “Queer Galactic Alliance” world tour, thrilling audiences with raucous live shows in Brazil and Germany. Their aim was to attack the Death Star of toxic conservatism, promoting “glitter anarchy” on the streets.

    The performance collaboration has extended into the new DL Boi a song and video featuring Umlilo and Stash Crew rapper Whyt Lyon. The music video is an extravaganza of fashion and movement. Filmed in Melville’s Glory nightclub, it intercuts grainy, VHS-style scenes of nightlife with crystal clear choreography, conceptualised to show off “Joburg’s fiercest queer talent”. Directed by Jono Kay, its choreography scenes focus on internationally renowned performers Henk Opperman and Lllewellyn Lulubelle Mnguni. The intensive costuming was provided by designer Caroline Olavarrieta, with makeup by Orli Meiri and Dylosaurus Rex creating a world of glamorous retrofuturism.

    The lushness of the images complements the driving simplicity of the song itself. DL Boi is a massive-sounding pop song, with a relentless beat throbbing like strobe lights under a chorus hook of “If you want me let you know”. It sounds instantly classic, like hearing a forgotten house anthem from the early ’90s. The song’s title references a ‘down low brother’, a closeted gay man trying to secretly hook up with gay men. In the hands of Umlilo and Whyt Lyon, this scenario becomes a tale of brash self-assertion, delivered with utterly compelling visual and musical flair.

  • Umlilo is fire!

    Confident and clear, Umlilo’s voice conveys the air of a seasoned performer. Meaning fire in Xhosa, the name Umlilo describes Siya Ngcobo’s performances as an artist. “Fire is something that can give life but at the same time it can be something that destroys completely. The way I see myself as an artist, I destroy people’s perceptions of what an artist is supposed to be, what gender is supposed to be or what music is supposed to be, but at the same time that flame can be something that helps something grow and that helps something develop,” they say. Refusing to be boxed in, Umlilo challenges what people expect from pop music and gender stereotypes. Using their future-kwaai sound as a platform to make people confront their own preconceived ideas, they see their music and aesthetic as a two way conversation. “It’s not just this one sided thing – this is who I am – but who do you think I am? How does that make you feel? How do I challenge that and how do I learn from your perspective? I love that interplay between music listeners and music makers.”

    Influenced by a variety of genres including kwaito, rock, pop, R&B and hip hop, Umlilo sees future-kwaai as a representation of South Africa’s sonic future. “You might not be able to understand it immediately or it’s not as tangible but it’s definitely a sound that’s as unique as South Africa’s cultural landscape but also looks to the future,” says Umlilo. As an artist Umlilo stays away from being genre specific, remarking that “I never want to be stagnant. I never want to be focusing on one genre. I always want my songs to be different from each other. And I always want to push myself to be that artist that’s never bound to a certain genre.”

    Releasing their first experiments as an artist under the moniker Siya Is Your Anarchist, their sound and message evolved from a disruptive space into the more accessible sound of future-kwaai. Their debut as Umlilo came in 2013 with the release of their EP ‘Shades of Kwaai’ which saw them experiment in musical discovery. “How far can I go? Is that too far? Does that sound good?” Umlilo asked of their music when working on the EP. The EP too was a chance for them to learn about production and their voice which allowed their fans to grow with them. “I think the evolution of it has been really great because the more output you make you start finding your sound through that. I think a lot of people who were with me in the beginning of my journey have now figured out who I am as an artist as I’m figuring it out,” they note.

    This journey is continuous as they keep experimenting and pushing themselves and their music. “There is a very distinct Umlilo sound that I’m still figuring out as well. But at the same I’ve got a lot more confidence and I’m still very much an experimental artist. And that excites me because I never want to get bored and I never want to feel like I hit it, this is my sound, this is what I want to do. There must always be an exploration. That’s what makes the journey interesting,” says Umlilo. With a wide vocal range they are able to explore a variety of sonic palettes from hip hop to more operatic sounds. While they used to view this as a hindrance, they have grown to embrace this aspect of themselves. “I used to think how do I put all of this into one,” they recall.

    Having released their second EP ‘Aluta’ in 2016, Umlilo has continued to create more music and collaborate with different producers. The last year has seen them work on numerous projects which will slowly be released over the coming year. June 16th saw the release of ‘Rainbow Riots’, a compilation produced by Sweden’s Petter Wallenberg and featuring queer voices from some of the world’s most dangerous countries for LGBTQ people, such as Uganda, Jamaica, South Africa and Malawi. They have also been working with Jumping Back Slash on a new EP entitled ‘Isambulo’. “I really have so much respect for the work that he does and he’s one of those producers that I really clicked with,” Umlilo says of Jumping Back Slash. A frequent collaborator with Joburg’s Stash Crew, Umlilo has a single with crew member Whyt-lyon in the works and will be playing festivals in Berlin and Stockholm with them. “There’s a lot of things coming out in the next year or so. I’m very excited to finally share things with people who have been following my progress,”  says Umlilo. With a clear message and aesthetic, there is no doubt Umlilo will have a lasting impact on South Africa’s music scene and beyond.

    Photography & Styling: Jamal Nxedlana

    Hair & Makeup: Orli Meiri

    Stylists Assistant: Kyra-moon Halfpenny

    Photographers Assistant: Dhevan Bergmann

  • Bongeziwe Mabandla aims to Inspire with Mangaliso

    5 years after releasing his critically acclaimed debut album Umlilo, Bongeziwe Mabandla is back from touring the world and the SAMA nominated afro-folk musician is eager for you to hear his sophomore offering, Mangaliso. Mangaliso means “marvel” or “miracle” in Xhosa and it’s meant to represent the highs and lows Bongeziwe has experienced since his last release.

    Like many South African artists who go against the grain, Bongeziwe has had to venture overseas to find audiences who appreciate his art. Some of his best gigs have been in Canada, Australia, and Japan. I asked him how the love compares at home to overseas. “I find that sometimes there’s a bigger appreciation in other places for the kind of music I do. I mean, it’s kind of refreshing, you know? The difference I find when I play in Joburg or South Africa, I’m always trying to convince people, a lot, about the kind of work I’m doing. Whereas I find that people are more open to the kind of sound that I’m bringing in Canada. It’s such a folk music kind of country.” But being away from home is tough and some of the lowest moments for Bongeziwe were “being away for so long and not having the right opportunity to make new music.”

    With Mangaliso, Bongeziwe certainly has had the right opportunity to make new music. Bongeziwe has signed to Universal and teamed up with Tiago, you know, the legend from 340ml and Tumi and The Volume, on production (Spoek Mathambo is the lone feature). For a young musician, an opportunity to work with someone so talented and experienced is a game changer. I enquired about the process and what it was like working with Tiago, “I had these songs written on guitar, very much in a folk type of space, so when I met with Tiago, we wanted to make them more interesting and more to what the world is kind of doing at this point in time. Kind of mixing genres, a very folk sound with a very urban, electro, hip-hop sound. He’s such a creative and hardworking guy and he puts those kinds of aspects in me. Getting to work with him was very exciting. As soon as we started to work on the songs, we knew that there was something special in the studio.”

    Growing up being inspired by the likes of Tracy Chapman and Jabu Khanyile, Bongeziwe aims to do the same with his own music. “I guess, you know, the kind of music I listen to has always been inspiration music, and so I wanted to have something like that in my music. Music is about storytelling and very much about figuring life out and understanding life better, so I’ve always wanted to do that with music,” he explains. “As I grow older, I understand life better, I understand myself better and I always try and put those life lessons and what I know about the world into my music.”

    Since Bongeziwe wants to inspire others, I asked what inspires him? “I’m inspired by everyday situations. I don’t think inspiration is something specific. Sometimes you’ll hear something, like somebody speaking to another person, so it’s kind of, hard to be specific. But I’m really inspired by hopeful stories, by resilience, and specifically for this album, I was very inspired by people that are able to shift their life directions and change their circumstances.”

    While I don’t understand Xhosa, after listening to Bongeziwe’s music, reading translated lyrics and chatting to him, I got the feeling that there are spiritual aspects to his music so I asked him about it, “Yeah, definitely, especially this album. This whole album is very much about the spiritual revival I’ve gone through in the past two years, trying to search within myself and to look for answers in a much deeper way. So definitely that came into the music. It’s what’s really inspired this new album.”

    His first single off the new album, Ndokulandela, is a testament to this.  “The song is very special and I guess the best way I can explain it is that it’s about starting afresh.” Ndokulandela means “I will follow you”, and the song is written about Bongeziwe’s own life and the kind of direction where he wants to go when starting a new journey.

    Bongeziwe starts a new journey on the 5th of May as he releases Mangaliso. The realease will see Bongeziwe touring his new live show with a new band on the festival circuit in Africa and later Europe. Thankfully there are festivals like Sakifo, Bushfire, and Zakifo in Southern Africa that cater to alternative artists like Bongeziwe, and slowly but surely other bookers are catching on, but the industry is still lacking in its support of these artists. I asked Bongeziwe what he’d like to change in the industry and he told me “I think what I find is lacking in South African music is that music is often viewed in one way. That it should always be dancey and loud, but it would be great to understand that there’s different music for different situations. People do not just have one emotion. I think we should be open enough to understand different genres and understand more different styles of music.” I can’t help but agree.

    Towards the end of our Skype session, I asked Bongeziwe what he wants people to take from Mangaliso? “The last thing is that the album is really about hope and finding the sense of hope within us that sometimes can disappear. It’s about keeping it alive. That’s the kind of message I want.”

    bongeziwe x bubblegum club

     

  • Black bloggers are the conscious curators of our local internet consumption: Part 2 of Tumblr blogs to follow

    Black bloggers are the conscious curators of our local internet consumption: Part 2 of Tumblr blogs to follow

    Having found myself stumbling upon more amazing blogs from local and African curators I decided to do another chapter in Tumblr blogs to follow piece. There is so much content being made online so it’s understandable that one may feel overwhelmed by internationally made and curated content.

    Yet, online readers are now no longer just consumers. They want their content to directly reflect who they are and who they want to be. With ease of access through Internet comes a consumer who is more demanding and will no longer settle for ‘kinda’ good enough content.

    South Africans and Africans are no strangers to these trends. If they can’t find it they will make it. They are the conscious curators in our consumption. Interest should also be given to the spaces where they are able to control what they post as well as what they are able to see.

    Tumblr gives one this direct control and allows for constant inflow and of content and distribution with ease. Such spaces represent the move of black people towards controlling what they want to see in the media.

    With this push for more local we must also not shy away from the local blogs that feature Western made content and international brands. As African creators we are being influenced by a variety of sources. We cannot ignore the influence of the west both historically, socially and economically. To ignore their influence means the denial of the historical injustice and their continuation. This action causes the distortion of an African identity that is decontextualized into an exotified empty husk that functions only for Western consumption.

    The inclusion of such Western made images and brands is an understanding of the complex nature of (South) African identity. (See the Tony Gum link as an example of this process) South African bloggers are doing this as both a political act of empowerment but also as a craving for a certain aesthetic that looks like “themselves”.

    This list reflects such an understanding of how the blog medium can be used to represent and feed a constantly changing identity that does not run away from itself. This short list will function as a “starter pack” to understanding the complexity and magic that is black creative culture that can be found in their blogs.

    tumblr_o7ffuzQkEP1rgda3ko1_1280Illustration by Thandiwe Tshabalala 

    Thandiwe Tshabalala 

    Based in Cape Town, this talented designer and illustrator showcases her striking illustrative work with catching colours and loud texts. She includes her commissioned work and so much of what she posts resonates with urban city living. She features beautifully drawn portraits and some selfies of herself hard at work. This is a good site to follow featuring not only the artists own creations but get a glimpse into her ideas that fuel her as she also provides brief explanations on her submissions and writes her own short  posts.

    tony-gum-4Image via Tony Gum

    Tony Gum

    A fast rising star in the creative scene, Ms Gum is part of the local movement creating online content directed towards the South African youth. Her site features her own works that have come to characterize her style of her body (co-)operating with props quintessential to the popular culture icons of our time, such as the sneaker or coke bottle. The site also gives links to her previous projects and collaborations which are also worth taking a look at as she can be best described as “a new prism through which to view African contemporary art”.

    original_239010_eD2THLotynJ7I_Frj2Y5v8VkWImage via Balmoi Abe

    Equatorial Footprints

    This site gives us a look into the world as seen from architect and self-described ‘space curator’  Balmoi Abe. Stationed in Nairobi Kenya, he uses the site to show the beautiful scenery that he interacts with. This results in ‘everyday’ shots that should not be mistaken as just another Instagram shot. His design training comes through strongly in his photographs, with strong lines and geometric shapes, we see his architectural sensibilities coming through in his photographs. This site is definitely for the lovers of design who want to get to acquaint themselves intimately with African architectural spaces.

    tumblr_o5d3an0Nr41qkwenjo3_1280Image by Lebo Lukewarm 

    Lulama Wolf

    This beautifully themed blog is a must to follow if you want to see your news feed filled with melanin soaked bodies draped in some seriously current fashion trends. Lulama Mlambo is the creative behind this blog and also features pots of her modelling outfits and looking fly as hell. This one is definitely for those seeking style inspiration as the outfits she wears are accessible and stunning!

    tumblr_o9y1c8xm2N1qmk3ooo1_1280Image via Beautiful Boys 

    Beautiful Boys ZA

    I constantly make the big mistake of leaving out the brothers in my personal quest for local black fashion content. This site, as the name suggests, features beautiful boys ‘dressed to the T’ in swag. Featuring various men’s fashion and portraits. This is a good site to view content made from the male perspective but not one that is necessarily masculine. This site is particularly useful for those wanting to get better in touch with male fashion with its style being mostly street.

    Processed with VSCOcam with c1 preset

    Image via Umlilo

    Umlilo 

    My final choice comes from a magical being of many talents who is Cape Town based. Both an artist, performer and singer Umlilo is a persona who is making content that is pushing gender, visual and dance boundaries through the sounds of dark ‘angsty’ youth and visual opulence. The blog features images from previous performances as well as links to his music and various projects. This is a site for those looking to understand the Avant-guard performance arts but through a more accessible format of pop, dance, electronic and R n B.

  • The incredible rise of Legend Manqele, redefining cultural production in South Africa and beyond

    “I would say to any up and comings- although we are all still up and coming- just fight for whatever… not even fight,  just be who you are. Whatever you’re trying to do, you already are. That’s why you get disappointed when you hear a ‘no’ or something… because you know that you already are. Start looking for platforms on which you can execute whatever you feel inside of yourself. And make sure that you know true love- whenever I receive love, I’m like, yoh… epic! I feed off of love and I really feel that if you work from that perspective, things will happen for you. If you do things with love, you always prosper and move forward in the direction you ought to move.”

    Legend Manqele

    It’s difficult to speak to Legend Manqele and to not feel inspired. Regardless of how high he has risen or how high he will still go, he takes the time to connect with you and your story, infusing the encounter with a sense of sincerity and purpose. He’s the ‘driven-man’, re-embodied in a form that cares less for external definitions and arbitrary constructions, than for the power of self-knowledge and a sense of what can be gained through the pursuit of a life in which you live, as much as possible, according to your own truth. It’s a startling revelation in a space like Johannesburg where people so often battle to come into their own light because of the artificial façades they figure as necessary for success. Legend’s story offers a different kind of vision, where multiple incarnations and abilities are nurtured and facilitated by the strength of setting the centre first.

    Legend was brought up by his Grandmother, until he was 13 years old, in eSinathingi, Pietermaritzburg, and although he can now occupy any boardroom with immense sophistication, presence, and perspective, he still speaks with reverence about the way those experiences shaped him; how they infused the beauty and complexity of simple rhythmic moments into his consciousness and evoked in him a sense of higher-calling. He left PMB for Durban as a teenager and so quickly developed a strong sense of independence. Although he describes himself as rather insular during this time, he speaks about some of his experiences there, as watershed moments. He tells me about his first unrequited love, which created an awareness of emotions and relationships being of a far more complicated, and authentic, order than the cookie-cutter, gift card clichés that are sold to us. He tells me about moving with a friend and his mother into the restaurants of fancy hotel spaces, how marching through corridors and occupying rooftops made him realise how so much operates on illusions of access, and drove home the fact that young people owe it to themselves to break those restrictive notions. He also tells me about working in retail after matriculating and noticing, from those experiences, the differences between selfish and selfless acts- how some people could so easily push badly-suited garments just to meet their targets, and how that didn’t sit right with him, when he was interested in the potential of more meaningful exchanges. It was perhaps this perspective that, one day, saw a prominent South African celebrity recognise and ask Legend to personally escort and assist her through the mall in order to find what she wanted. Legend tells me how that simple moment sparked a massive redefinition of understanding in his life; not only did it testify to the walls that can be broken down through perseverance, but it also affirmed the value of the qualities that he had begun to define himself by.  It was then that he knew he had to move to Johannesburg.

    Legend Manqele 4 BUBBLEGUM CLUB

    Legend landed in Hillbrow from Durban in 2009. Within the first two days of arriving, he hit the streets, walking first to Rosebank in order to suss-out further retail opportunities there. However, being, since his school days, enamoured with cultural production and particularly with acting, Legend then set out for Randburg, where he knew that Urban Brew was operating. After positioning himself within a studio audience, Legend began inquiring how things actually functioned. It was then that he encountered the Producers who immediately picked up on his infectious energy and sincere enthusiasm. This ensured that he was offered a contract of employment within his first few weeks of arriving in JHB. The rest, as they say, is history… as Legend has now gone on to establish himself as one of South Africa’s most prominent young cultural producers. He has landed several high-profile acting jobs, most recently featuring in E.TV’s popular drama series Umlilo; has established the Marvin online magazine; and has founded his own production company, BarLeader.

    Legend is an initiator who isn’t prepared to settle for substandard. He recognises tensions inherent in the corporatisation of creativity but because his priorities are so focussed, he is able to employ the business-savvy required in order to make-real the vision of creating proudly South African content; content where the majority are no longer whitewashed off screens or reduced to stereotypical projections that just don’t resonate with peoples’ lives. BarLeader is about recognising the potential of others and Legend draws on his own experiences of being mentored in order to invigorate and encourage his own team. While many companies simply cut-and-paste ‘human-centred’ notions over their pre-existing models, Legend has operated with an ethos of love, from the ground… up. BarLeader has a radically collaborative perspective in relation to the rest of the often confined and ego-driven industry, as Legend believes it is through these exchanges that South Africa will be enabled to create and push content that finally begins to reflect the incredible vitality of this country. His focus is also on increasing the visibility of, and speaking with, other African countries as cutting-edge cultural producers, and BarLeader has already begun to establish connections with Nigeria, the Democratic Republic of the Congo, and Kenya.

    Legend observes that cultural production is necessarily a youth-driven process and it is political; we often come to know of and imagine spaces through the ways the youth occupy, document and disseminate information about them. BarLeader is driven by this youthful energy (which Legend is quick to point out, is more about a perspective/positioning than a particular age-bracket) because this Production House recognises that this is where the redefinition happens, that it is from here that the beautiful scripts will finally emanate. The youth hold incredible power in producing and consuming their own content, and in not always looking towards greener grass growing somewhere else, but in watering their own spaces until they explode with abundance. They know how to create this even when supportive systems are lacking; they’re working their day jobs, running their blogs, writing their stories, throwing their parties, and generally operating well beyond predefined work hours. If they’re eating cereal for supper it’s because their priorities reach far beyond the imposed structures… they are investing now in the creation and realisation of new and better worlds, where existing means more than being echoed in hollow representations or simply getting by. Legend is one of these trailblazers and he is creating systems to propel this work forward, elevating himself in order to lift others with him… taking on and off suits and reassembling professionalism as an entirely new kind of Kingpin.

    Legend Manqele 4 BUBBLEGUM CLUB 5

    Editorial image credits

    Photography: Andile Buka

    Styling: Jamal Nxedlana

    Image 1:

    Legend wears Adidas tracksuit. All accessories The Source 

    Image 2:

    Legend wears Leather shirt jacket from CityHall. All accessories The Source 

    Image 3:

    Legend wears Leather trenchcoat from CityHall, retro tracksuit top by Puma, jogging pants by (Nike) Jordan and trainers by Nike