Tag: The Way We Live Now

  • Gowun Lee // exploring social issues with a conceptual lens

    Gowun Lee // exploring social issues with a conceptual lens

    Describing herself as a visual artist who uses photography as her chosen medium, Gowun Lee explores social issues in a conceptual manner. She received her BFA in Photography from the School of Visual Arts, and her work has been included in exhibitions around the world, the most recent being the 2018 Aperture Summer Open titled The Way We Live Now in New York.

    Lee has moved from New York to South Korea for her ongoing project which brings light to the fact that the majority of LGBTQ people in South Korea have to hide their true identities, despite the increase in LGBTQ activism and awareness. This is represented visually in her series I’m Here With You, where the people photographed never face the camera directly. Instead their bodies are turned and their faces are hidden. “The LGBTQ individuals photographed – all facing away from the camera – remind us of how Korean society continues to neglect and refuse to accept them. “By creating these images, my intent is to both implicate the viewer in the nation’s larger refusal to acknowledge the identity of LGBTQ individuals and, more importantly, to spur us all to take action and change this attitude once and for all,” Lee says in an interview with the UK’s Daily Mail. This series is a powerful portrayal of lived experiences, and the way in which this affects people’s lives, with those photographed often alone within the frame. A creepy stillness becomes apparent with Lee’s compositional choices.

    To check out more of work visit Lee’s website.

  • Bubblegum Club selected to be part of the 2018 Aperture Summer Open

    Bubblegum Club selected to be part of the 2018 Aperture Summer Open

    A picture is worth a thousand words. This idiom speaks to the premise behind the 2018 Aperture Summer Open exhibition titled The Way We Live Now. Aperture Summer Open is an annual open-submission exhibition at Aperture Foundation’s gallery in New York. It features work selected by a prominent curator or editor, with the exhibition unpacking critical themes and trends influencing international contemporary photographic practice.

    As a point of departure for this year’s exhibition, the photographs from the selected artists and photographers look at how images come to capture and become visual markers of rapid change in society, politics, beauty, and self-expression. The exhibition features 18 artists and the way in which they engage with the “currents and contradictions of life” in the 21st century. These artists and photographers reflect on how we define images and how images define our lives. This year Bubblegum Club was selected as one of the displaying artists.

    As an online magazine and content agency reporting on and contextualizing trends across creative practices in South Africa, Africa and across the world, we have developed a fluid aesthetic that responds and contributes to cultural moods. This taps into grunge, DIY approaches to styling and photographic strategies that plug into references that are reflective of the discursive and visual languages present in urban subcultures. The construction of the image becomes a condensed moment in time, a contextualized mirror of current ways of being.

    The images chosen by Bubblegum Club were drawn from different aspects of our work, including cover shoots and editorials. Makeup artists Orli Oh, Katelyn Gerke and Nuzhah Jacobs, as well as hair stylist Mimi Duma and styling assistant Lebogang Ramfete, contributed to the creation of the images on show, with styling and photography by creative director Jamal Nxedlana. Lightfarm has continued to assist with post production and with printing. A special thank you to adidas South Africa for supporting the trip to New York.

    The 2018 exhibition taking place from 27 June – 16 August is curated by Siobhán Bohnacker, senior photo editor, the New YorkerBrendan Embser, managing editor, Aperture magazine; Marvin Orellana, photo editor, New York magazine; and Antwaun Sargent, independent writer and critic.