Bubblegum Club

Tag: sibot

  • 1991 Put Out Dope Electronic Music That Cape Town is Known For

    1991 Put Out Dope Electronic Music That Cape Town is Known For

    Growing up, I always admired Cape Town’s electronic music scene. With the sounds of Sibot, Markus Wormstorm and Richard The Third  finding their way to me through SL Magazine’s compilation CDs, I got a taste of a scene I’d never get to experience but would always revere through their releases. These days, while I get to visit Cape Town every now and again, I still find myself in the same position of admiring it’s electronic musicians from afar because either they don’t play live or I visit at the wrong times. At least we have Soundcloud, and lately I’ve been racking up the plays on Cape Town label 1991’s page.

    I don’t really know all that much about 1991 other than that they’ve been going for about 2 years, their aesthetics are on point, and the music they put out is either wavey or ravey.

    If you check out their website, you’ll be treated to slick design, with them using stamps featuring butterflies and Olympic rings as album art, giving things a nostalgic feel. Something about it (probably the rings) reminded me of those Olympic promotional playing cards Caltex once gave out in the 90s.

    So far, 1991 have put out music rom 3 artists over the 2 years with most of it coming from Gourmet (wavey) and Maxime Alexander (ravey), with one track by the brilliantly named Constantia Mom (bit of both).

    Maxime Alexander image from MA14

    Gourmet makes what he calls Spaghetti Pop which actually reminds me a bit of Thor Rixon’s earlier work with a touch of future bass and chill wave goodness. Thor even jumped in on a remix of Gourmet’s ‘Good With a Nose Bleed‘ a while back. Gourmet’s latest release, ‘Jamaica‘, sets the scene for a night spent under the stars, on the beach in Jamaica, naturally.

    While Jamaica is very chilled, the next track on 1991’s Soundcloud isn’t. ‘Fake It‘ by Maxime Alexander gets ravey with some dark and methodical acid techno. I’m already dripping in sweat with my jaw clenched tight just sitting at my desk. I can’t even imagine what this dirty, dirty, dirty piece of electronic music would do in a dark club.

    They might not have the deepest lineup, but for my money, 1991 have been putting out some of the dopest electronic music that Cape Town is known for.

    Still from ‘Cashmere’ music video by Gourmet
    Still from ‘Yellow’ music video by Gourmet

  • Sibot dishes out an “L”

    L is for love, or in the Facebook era, a like. If you’re a Scott Pilgrim fan, L is for lesbians. L is for lush or libations if you’re a bit of a drinker. To a cartographer, L is for latitude and longitude. For social media managers looking to hit that millennial market, L is for lit. L is for the lavish lifestyles presented to us by pop stars. L is whatever you make it, but in Sibot’s case, I think it probably stands for legend.

    I remember the first time I heard a Sibot track. It was on one of the old SL compilation CDs from back when print wasn’t dead. Those CDs held a lot of gems back in the day, even if they did put out Candice Hillebrand’s first single they also put out a version of Sibot and Watkin Tudor Jones’ ‘Super Evil’ that, to my knowledge, was never officially released. I’d never heard anything so fresh. While Waddy’s “kreepy-krawly” line still cracks me to this day, that beat is infectious and experimental as fuck. This was like 12/14 years ago. A year or so later, after a late night LAN party, I found myself with a folder labeled “the fantastic kill” with no track titles, but after clicking play, I immediately knew who I was dealing with. It was on that album I was introduced to Spoek Mathambo and it was from there that I’d follow everything Sibot, Watkin Tudor Jones and Spoek Mathambo did.

    Sibot has continued to grow as a producer, putting out an impressive body of work and developing one of the best live shows in the country. With Toyota on visuals, it’s an unrivaled onslaught of sight and sound. Mswenkofontein was probably his biggest track in recent years but he’s put out a few noteworthy releases, 2013’s “Magnetic Jam” was put out by Mad Decent, Red Bull Music picked up “Arc-Eyes” and last year he dropped “new age kwaito 2010” on his ace. Each release unique in sound and direction, each still coated with Sibot’s signature bass tones.

    His latest project is an album he’s releasing as four EPs called “V.L.D.T”. The tracks on the EPs are numbered where they are on the album and once all four are out, you can piece them together as one body of work. It’s a unique way to put out a project and gives Sibot an opportunity to highlight the different aspects of the album before people get to hear it as a whole. The first was put out a few months ago, It’s called “V” and it’s mostly in the Arc-Eyes/Magnetic Jam sphere, we’re talking heavy beats broken up and smashed together, but his upcoming EP, “L”, is closer to “new age kwaito” and sees Sibot playing in the 4/4 realm as he flexes his techno and house skills.

    The new EP, or the second part of the album, is notably different from what we’re used to from Sibot. Instead of flinging my body around the room and getting whiplash from whipping my hair back and forth, I find myself swaying from side to side, head bopping and shoulders shrugging to the hypnotic beats. “L” feels like a futuristic throwback that reminds me of sliding around club dancefloors in the mid-2000s. I’ve often prefered the heaviness and discombobulating beats behind Sibot’s music, but “L” is welcome relief to the usual chaos and an expertly crafted release that shows the production range the pioneer is capable of.

    “L” comes out on the 11th of April and adds 3 dynamic tracks to any adventurous house/techno DJ’s arsenal. It’s certainly not what you’d expect, or at least, not what I expected, but by now we should know to expect the unexpected from the local legend. I’m intrigued to hear the next 2 releases after “L” and see how the whole album fits together once it’s all out there. We’re only half-way through it’s release but V.L.D.T is shaping up to be Sibot’s most dynamic and diverse project to date. If you’re looking for something different from one of SA’s stalwarts of electronic music, check out Sibot’s soundcloud on the 11th of April.