Tag: networking

  • DOOMSNITE // A new party for young people of colour in Cape Town

    “We are the future, for the kids by the kids,” states Antonio Druchen, one of the organisers of DOOMSNITE, a new party for young people in Cape Town. Antonio along with Qaanid Hassen, Naledi Holtman, Raeez Kilshaw and Likhona Camane created the event with the intention of gathering young people like themselves in one space for celebrating and connecting. Under the guidance of Crayons’ Ra-ees Saiet, they were able to host their first event on the 29th of January. Their hope is that this event will grow and become a space that represent creative freedom.

    Reflecting on the time that sparked the idea for the collective, Raeez expressed that, “I felt as though we [had] all met before, in a spiritual realm.” This is representative of the kind of collective connection they have already created through their time together since meeting at a project hosted by Corner Store called Summer Camp. This was an apprentice programme for young up-and-coming artists in Cape Town to show them that they can cultivate skills in creative practices such as DJing, styling, and photography, and be successful.

    The team refers to themselves as a kind of collective that also allows for each member to work on their individual practices independently too. This allows them to build a brand for their event, and offer each other support, without being completely absorbed by one project. Therefore, their collective is not exclusively about producing together, but also about providing each other with creative and emotional support. This is reflective of the direction that a number of people of colour from Cape Town are taking with regards to cultural production.

    Influenced by underground, English-born hip hop artists MF DOOM, the team curated their first event around this. “MF DOOM’s ability to use music to portray many different characters reflects how music came first for him and for us, it’s the same thing,” explains Naledi. “Inspired by MF DOOM, we find beauty in creating a whole new world of intricate personas, vivid visuals and detailed bodies of music, all behind a mask,” Likhona expressed. Ensuring that the space was representative of the energy that has brought them all together – freedom, creative pleasures and wholesome music – their first party was explosive. Expressive visuals, music and dance coloured the night, and this included performances by Garth Ross and Guillotine Squad.

    In addition to being a space for having a good time, the aim for the party is for it to be a platform that can facilitate networking between young people. This extends the party into an informal support structure.

    Be sure to check out their next event in February at The Living Room.

  • South Africa, What’s Up? Residency at ANTiGEL Festival

    Over the last 8 years ANTiGEL Festival has grown to become one of the largest cultural events in Geneva. By bringing artistic experience to parts of the city that are detached from this kind of engagement, the festival aims to be a reminder of the importance of making spaces for arts and culture. Africa What’s Up is a residency that falls within the festival. Artists from South Africa and Egypt have been invited to put together an evening dedicated to cultural music and cultural production on their countries.

    Photography by Chris Saunders

    Throughout the week-long residency, South African and Egyptian artist have been interacting with cultural producers from Mali, Nigeria and Switzerland. It has also provided a moment of pause and refection. In addition to the time spent networking and teasing out performance plans, artists have been able to engage with one another and the residency organisers in daily roundtable discussions. This expands the purpose of the residency to that of a space for conversations that directly affect artists. These include conversations around womxn’s access to performance time and how this is connected to networks, resources and development. Discussions also included the larger question of access for artists in general with regards to visa applications and funding to sustain their practices.

    Photography by Viviane Sassen

    Even though the residency has a focus on music, it also embraces the importance of cross-disciplinary pollination. This can be seen by the performance element.

    South Africa’s CUSS Group and the Swiss cultural organisation Shap Shap co-curated the South Africa What’s Up lineup, which includes performances by FAKA, DJ Prie Nkosazana, Dirty Paraffin and DJ Lag. Choreographer Manthe Ribane and Swiss electro-soul duo Kami Awori will be presenting their collaborative effort. Having met in Johannesburg, they have combined music, choreography and a visual display to present a full sensory experience.

    Photography by Kent Andreasen

    What is particularly important about the residency is how it encourages cross-disciplinary pollination and has opened up discussion around what it necessary to facilitate easier access to gigs and spaces for African artists. It has also provided a space to draw out how these kinds of conversations need to be translated into pragmatic steps for action.

    Photography by Chris Saunders