Tag: Mozambique

  • Butan shares their latest collection in ‘Aluta Continua’ lookbook and short film

    Butan shares their latest collection in ‘Aluta Continua’ lookbook and short film

    Since its inception in 2006, the label Butan has become a part of South Africa’s streetwear landscape. The name Butan came from re-arranging the word ‘bantu’. This can be viewed as symbolic of how the label takes pride in bringing an African perspective to streetwear. “We pride ourselves in being an African label with a strong African narrative, and a look and feel that aims to express who we are as young Africans living on the continent today. This ideology carries through from design to marketing and even governs the way we run our company. Certainly we can’t deny the western influences in streetwear, yet we have come to create a unique look and feel for our brand and continue on this very exciting journey.”

    Butan’s objective is to reflect the local youth and street culture that the brand is embedded within. Julian Kubel, the founder of Butan, made reference to this in his statement that the brand “was never created as an entity that exists outside of street culture, trying to penetrate a certain market segment. The brand grew organically from within the culture and has been intertwined with it ever since.”

    Their latest collection ‘Hidden Panthers’ taps into this directly. Referencing the slogan ‘Aluta Continua’ which translates to ‘the struggle continues’, Butan has plugged into broader political conversations. This is a phrase which holds relevance for people of colour in South Africa beyond its origins as a slogan in Mozambique’s struggle against colonialism. The erasure of other forms of personifying, animating and giving meaning to beauty and style is being fought against from multiple fronts. The idolatry of western beauty standards by the cosmetic and fashion industry is being hacked away through critique. This involves subverting and rejecting violent, colonial frameworks that have attached negative connotations to people of colour. It also involves celebrating black hair, black adornment, black styles, black histories and black cultures.

    “By incorporating a powerful struggle slogan into our clothes I by no means pretend that we are immediately having a powerful impact on people and their political awareness yet it does make people curious and ask questions and dig a little deeper. There are many elements in our clothes that express a strong Pan African philosophy calling for African unity and proclaiming African pride. A lot of our themes and stories tie back to that agenda. Even if we can just create awareness of these stories and get people to engage with African history and get a deeper understanding of the rich cultural heritage of our country and continent, I think we have done our part.”Julian expressed that communicating this through various media is an important way to reach different kinds of audiences. In addition to their ‘Aluta Continua‘ lookbook created in collaboration with Bubblegum Club, Butan decided on a short film. This incorporates the significance of ‘Aluta Continua’ with conversations between hair stylist Mimi Duma and makeup artist Shirley Molatlhegi. In between shots displaying the collection in the streets of Kliptown, Mimi and Shirley share how they encourage people of colour to be proud of their skin and their hair. This connects to the foundational concepts for the collection, and the Butan philosophy.“We are witnessing a revolution in thought and an emancipation that is allowing people to rid themselves of these social shackles and to celebrate their ethnicity and culture. Such movements of awareness have previously been witnessed in the 60s for instance in the US, where they were spear headed by institutions such as the Black Panther Party.  Our current range, the Butan ‘Hidden Panthers’ collection, pays homage to that particular movement and its philosophy.”

    Check out the Butan x Bubblegum Club short film below:

     

    Lookbook credits:

    Photography & Styling: Jamal Nxedlana

    Hair: Mimi Duma

    Makeup: Shirley Molatlhegi

    Photography & Styling assistant: Lebogang Ramfate

    Models: Mimi Duma, Shirley Molatlhegi, Sindy Chikunda, Sechaba TheBakersman, Thulasizwe Nkosi

  • Euridice Kala AKA Zaituna Kala // Sea (E)Scapes from the Shores of Slavery

    The freedom of all is essential to my freedom

    -Mikhail Bakunin

    The tide of migration; sweeping through coastlines. A personal history of inter-continental travel. Memory washed up on a receding shore. Rock pools bubble to the brim, swirling shades of deep aqua and teal. Bleached pigment fades into the edges of a Polaroid. A snapshot of histories.

    “I come from a place of physical fights, death and violence. Until as recently as last year, Mozambique was at war, people do not seem to be afraid of death as we express with this kind of violence, and we heal and manifest physically our grievances.” Maputo born artist, Euridice Kala AKA Zaituna Kala, responds to a context of violence in her work. “I am as part of that history as anyone is for my life is part bi-product of it…The only thing is to find ways to heal and reconcile –Africans in general have been associated with this healing nature, if you look at works of many of us (African Artists and Diaspora) we are trying to close gaps where it seems we were passive agents.”

    She describes her practice as a “space of self discovery.” Her conceptual process is also one of fluidity, “there needs to be a constant critical screening of personal and collective beliefs, as we move and change as human beings”.  “My work is not another sharp knife stabbing the same people who are used to being stabbed and continue as living corpses. My work is in fact the opposite, to hold the urge to stab and use this in-between to resolve some questions.”

    Kala has been involved with the project, Sea (E)Scapes, for the last three years. The project traces the route of the Sao Jose Paquete d’Africa that in 1794 was ship wrecked off the coast of Cape Town. About half of the slaves aboard tragically drowned.  “This is a parallel project between artistic and research process. I’ve been in Lisbon, in Ilha de Moçambique, in Cape Town and other related places.” The project thus far has culminated in performances, photographs, video pieces, and texts.

    “I have concerns…concerns that only through expression in art I see an appeasing of my questions. I am not a conceptual artist, I am a visual agent in the art world and my responsibility is to be as descriptive as possible when I present my ideas to the limited and sometimes repressive world of art and hope for the best.”

    Video Still from Sea (E)scapes, 2016