Tag: Maga Moura

  • AFROPUNK as a cross-continental meeting point

    Many Joburgers, like myself, know the exodus that the city experiences over the December holidays, with most people coming back just in time to unpack their bags before going back to work. For those who go on holiday, the coast is usually the first option. However, over the last holiday Johannesburg saw a slight shift in this migratory pattern that we make so many jokes about. The AFROPUNK festival saw South Africans from other cities choosing to travel to Johannesburg to spend the new year’s weekend rocking it out to local and international talent. In addition to this, a large number of international travelers came to the festival. This included fellow Africans as well as people from the Americas and Europe. From interviews with a few attendees, it became apparent that despite the main motivating factor for being in Johannesburg was the festival, it became a point of departure for other adventures in the city post AFROPUNK. The festival also brought people to Johannesburg because it was the first AFROPUNK held in Africa, which was particularly important for those from other African countries.

    “AFROPUNK is more than the lineup. It is culture, inspiration, force. Be yourself. Be free in your own personality or outfit,” expressed Brazilian blogger Maga Moura. Her colourful braids and sparkling full body overthrow caught the eye of many at the festival. Maga shared that she wanted to be the one who is able to represent her Brazilian followers. She attended all of the AFROPUNK festivals that took place throughout 2017, and was most excited to be in Johannesburg as was her first time in the city. She also extended her stay in the city so that she could record spaces and people who have knowledge about South African history. Maga passionately expressed to me her desire to make her trip more than taking photographs at the festival, but also an opportunity to show her followers more aspects of South African culture and history from the vantage point that Johannesburg offers.

    Miles Greenberg, who was also in South Africa for the first time, is Canadian born but now lives in France with his boyfriend. They were both in attendance, mainly due to Miles convincing his boyfriend that he needs to share this experience with him. Like most international attendees, Miles was in Johannesburg for the festival. “I have been looking for an excuse to come here for the longest time. For me it was a matter of just showing up. And for me this feels like an important time and an important place for this to be happening. It feels just and it feels on point,” Miles expressed. He also mentioned that his decision to be here was influenced by Nonku Phiri, who he met at a gig in Shanghai. This indicates an additional thread to this cross-continental pollination of people of colour at the festival.

    Toby and Adrian Gardner from London also confessed that they were mainly in Johannesburg for the festival, and that this was also their first time in the city. With Toby being half Ghanaian, half Nigerian and Adrian being Jamaican, their outfits communicated the connections they were trying to make with being on the continent. Toby wore an outfit that reminded her of kente cloth, while Adrian wore a traditional Nigerian shirt that was given to him by his brother-in-law who is from Nigeria. “We are here to enjoy all the beautiful people. I feel it [the festival] will be way more laid back. Less about image and more about family and people being together,” they expressed.

    Damola Owode, from South West Nigeria, although shy with his words, expressed that he was representing his Yoruba heritage through his outfit. His decision to be in Johannesburg was influenced by his friends wanting to attend and this being a place where he can openly share his traditional wear.

    Of course the festival meant that people from various platforms would be sent on assignment to cover specific angles of the festival. This was the case for Shan Wallace and Lawrence Burney from Baltimore. Lawrence is a music journalist and spent time interviewing South African artists, and teamed up with Shan who is a photographer. This was also a special moment for Shan, as it allowed her to share images of her photographs with people in Johannesburg. “I use photography as a form of activism, and a way to share black peoples’ experience.  It is also a way for us to connect,” she explains.

    Mariah Matthews shared a similar attitude to Shan, in that she wanted to be able to connect. From New Jersey, she spent a few months at UCT as an exchange student. Her experience at AFROPUNK was a parting gift to herself as she would be leaving South Africa in January. “I always wanted to come to South Africa because of the spirit of resistance that so much of the youth has here. I needed some of that fire sparked inside of me and some of the knowledge from movements such as Fees Must Fall.” For her, being at AFROPUNK solidifies all she has learnt throughout her time in Cape Town.

    Cynty, from the Caribbean, has also spent a few months in Cape Town at an internship that extends her studies in Tourism. She and a group of friends from different parts of the world came up to Johannesburg as a way to bring in the new year together because they are far away from their families.

    Njeri from Nairobi expressed to me that her decision to be at the festival was based on the fact that this was the first AFROPUNK held on the continent. She has always been drawn to AFROPUNK because of “the music and the movement. The arts element as well as the movement being about Black empowerment.” This was also a moment for her to reflect on the different cultures in Kenya, and bring elements of them to South Africa through her outfit.

    Mariette Immaculate is a designer from London. As someone who travels a lot, she shared with me that she documents culture and enjoys being able to represent these various place with the clothing that she wears. Being at AFROPUNK was an experience where she can thread together the places she has been and the new culture she experienced in Johannesburg.

  • AFROPUNK Joburg as the showground for outfits as declarations of self-love and self-expression

    The first AFROPUNK festival in Africa took place over the weekend of the 30 and 31 December. Fashion, art and music was shared in a collective embrace with all attendees. As with every AFROPUNK festival, the outfits worn by those in attendance can attract as much attention and celebration as the artists on the lineup. With all the people I interviewed at AFROPUNK, they shared with me descriptions their outfits and reasons for wearing particular items. With this they all unconsciously shared with me short, punchy phrases or words in their descriptions which can be viewed collectively as the beginnings of a manifesto or mottos to live by.

    Maga Moura

    Blogger and influencer Maga Moura has been attending all the AFROPUNK festivals held in 2017, and felt it necessary to come to the final one in Johannesburg. “I am also in love with see-through fabrics,” she expressed to me when asked about her outfit. Her full body overthrow is a clear demonstration of this as the fabric looks like a hybrid between chiffon and fishnet. She also shared her love for shiny objects, and so added elements of sparkle into her outfit with sequence and accessories. In Brazil she is affectionately known as the queen of braids because of her colourful and out-of-the-box designs she chooses for her braids. This has led her to inspiring young girls in her home country to feel free to express themselves more freely and creatively through their hair. Maga took the opportunity to make her outfit a physical manifestation of her blog; a liberated expression of black culture and black hair. Making sure not to leave without sharing the connection between her style, her blog and AFROPUNK, Maga stated that, “AFROPUNK is more than the lineup. It is culture, inspiration, force. Be yourself. Be free in your own personality or outfit.”

    Khaya Ngubane

    Taking my hand with confidence, Khaya Ngubane was ready to be in front of the camera. Moving from one power pose to another, it was as if he was in communication with the spirit of the cultures that inspired his look. “My outfit is inspired by an Ndebele/Egyptian look,” he explained. A gold neckpiece is paired with a small bullring septum piercing, and an open shirt to let the melanin glow. The combination of fabrics and accessories was all connected to Khaya’s grounding concept that drives his style. “Unapologetically gay and free-spirited. African all the way.”

    Amonge Sinxoto

    Amonge Sinxoto, while not consciously trying to make a statement with her outfit, she wanted to make sure that she wore all South African artists and designers. With her hair done by well-known hair stylist Mimi (@urban_mimz) to her pants and shirt being made by well-established fashion label House Of Ole. “Carefree, local and just being me. Being comfortable.” This was the motto that guided Amonge. By wearing all local she has made herself a walking everyday model for the talent that South African creatives from across the fashion and design spectrum have to offer.

    Loyiso Ntwanambi and Likhaya Hanise

    Loyiso Ntwanambi and Likhaya Hanise carried the spirit of Loyiso’s mother with them to AFROPUNK as they were wearing creations that her mother put together. “Bright. Free. Young. Happy.” These are the four word that Loyiso shared with me as the statement she was trying to make with her outfit. A recipe for a joyful living that has been shared through fabric and her mother’s labour. “Free. Hip. Not scared to be different. All of that,” Likhaya expressed, almost as a confirmation of Loyiso’s words.

    Kim Barendse

    Dressed by the designer for the label Jigga en Vogue and applying her own makeup. Kim Barendse become the South African version of Janet Jackson from the early 90s. When asked about the statement she was trying to make with her outfit, she expressed that she wanted to look as if she landed from another planet. The blue makeup over her eyes, coupled with thin, yellow lenses from her glasses created a green colour where the makeup and glasses met on her face. Drawing attention with her bundles of curly hair on her head and the jewels travelling down her forehead, she could be described as a celestial queen. “Life inspires my style. I am an artist as well so I draw inspiration from everything around me.”

    Laverne Maart

    As one of the many travelers from Cape Town to Johannesburg for AFROPUNK, Laverne Maart came to share her hair dye and laidback sense of style at the festival. With her bright green hair freshly applied by one of the other people displaying their work at the market stalls, Laverne let her hair play with the wind, mimicking the movement on her colourful dress. “Normally I wear a headwrap with my curls and dreads sticking out. That’s my look,” she explained. Her dress by Gordon House of Six was made specifically for her attendance at the festival. “I just wanted to be colourful,” Laverne expressed about the statement she was making with her  look. “Colourful energy. I like colour especially green so there are  a lot of greens in what I am wearing.”

    Mariah Matthews

    Coupling bargain thrift store buys with her favourite items, sprinkled with African elements – that is the look that Mariah Matthews was serving at AFROPUNK Joburg. Wearing two gold bracelets on top of each other, Mariah created a hair accessory that makes her hair tower above her head. “I wanted to see how high my hair can go today. There are a lot of times when I just want to see how far I can go. I realize even coming to South Africa from New Jersey that I can go wherever I want to go, as far as I want to go, as long as I just want to,” she exclaimed, “I just wanted to be my own art today.” I noticed she had the badge from Very Black pinned to her chest, and asked what this meant to her. “I follow Very Black. I was them at a talk curated by AFROPUNK. I love this pin because I feel like it really describes how I am as well. I like to be unapologetically Black, and unapologetically art.”

    Lamlela Plaatjie

    Interrogating what being African means for an African person living in Africa, Lamlela Plaatjie used her outfit to unpack that for herself. “Essentially, everything we do do is punk just by the virtue of being an African person,” she expressed. Wanting to keep everything close to home, all of the items she wore, beside her Dr. Martins, were handed to her by the women in her family and represent her Xhosa heritage. “My inspiration was using things that have been used before. The fact that it makes a statement and looks the way that it does is a bonus. But I obviously wanted to celebrate my South African heritage, trying to upstage all the other people from previous AFROPUNK festivals and show them what we are working with in South Africa!”

    Zandile Makombe

    A simple black dress with denim vintage pants that were ripped and turned into a jacket. Zandile Makombe fully embraced the punk, DIY element at AFROPUNK. “I guess [with my outfit] I was just trying to be me, because I am a fashion design student.” Her rope braids are a staple for her style, this time choosing to rock the turquoise-green colour. “I usually just wear what I want,” she expressed. Taking inspiration from Japanese designers and the anime scene, she construcs looks that connect these with comfort and being a woman of colour on the continent.

    Toby and Adrian DGA

    As two of the many international visitors who came to Johannesburg specifically for the festival Toby and Adrian DGA flew all the way from London. When asked about her outfit Toby explained that she is half Ghanaian and half Nigerian. “I was looking for something that was similar to kente cloth,” she explained. This was in the hopes of being able to echo her heritage through fabric and being part of the first AFROPUNK to be held in Africa. Adrian was on a similar wave length, and chose to wear a traditional Nigerian piece of clothing which he received from his brother-in-law. “This is me connecting,” he expressed while showing me the fabric the shirt is made from. “I think I just wanted something quite colourful, with my hair and my nails and everything. I just wanted to be really vibrant to kind of match being in Johannesburg,” Toby shared. “I like feeling opulent. I like feeling gold. So this is my Sunday best.”

    Kabelo

    Friends with the guys from TCYF, Kabelo came to show his friends some support. However, he did not forget the fire that continues to burn in his heart. He has been part of the protests at UCT calling for free, decolonised education (Fees Must Fall protests), and feels that this approach to education needs to be filtered into his style and the other situations he finds himself in. “The general look [of my outfit] comes from the cross-punk scene. Very politically and ideologically charged subgenre from street punk. This is more intersectional which goes with the Fallist politics.” The back of his jacket is adorned with the Fallist logo and the gun symbol is an expression of the three pillars of Fallism – Pan-Africanism, Black Radical Feminism and Black Consciousness. Black Radical Feminism is so crucial to this as this is where the terms positionality and intersectionality were coined from.

    Abongwe Qokela

    Sporting the design of a young designer named Afro Grunge, Abongwe Qokela oozed all the confidence that makes people stare out of admiration and celebration. “I am a low-key, but high-key show pony. That means I don’t just go to events in jeans and a t-shirt. No. People must know I am here. During the week I have a 9-5. So when I am out, I unleash.” When asked about the statement she wanted to make with her outfit she expressed that she wanted to be, “unapologetically loud. The whole aesthetic of AFROPUNK where you are like ‘I am here!’.”

    Miles Greenburg

    Embracing the foundations of a minimalist aesthetic, and elevating it with his blonde cornrows and badass boots, Miles Greenburg brought a Canadian spice all the way to Johannesburg. “This is my comfort,” he shared with me while discussing his style choices. “I don’t think this [his outfit] is about a statement. I think it is about a silhouette that makes me feel good in my body. Something I really like about the AFROPUNK vibe is this celebration of the black body.” As a way to pay tribute to this, Miles went straight to his comfort zone, and allowed himself to show as much or as little as he wanted to.

    Lara Fischer 

    Lara Fischer saw the two days of AFROPUNK as an opportunity to unpack what it means to be punk on the first day PUNK. “I see a lot of things on Instagram but I do not necessarily like to follow trends. A lot of clothes get given to me from family and friends so I like to take that and use that as a challenge to style myself,” she expressed. Upcycling and pushing what feels right is what influences the way she chooses to present herself to the world, and everything about her AFROPUNK outfit is a demonstration of this. “I have noticed the people are really scared to explore their fashion sense…but I never feel like that about anything.”