Tag: Lebogang Ramfate

  • Butan shares their latest collection in ‘Aluta Continua’ lookbook and short film

    Butan shares their latest collection in ‘Aluta Continua’ lookbook and short film

    Since its inception in 2006, the label Butan has become a part of South Africa’s streetwear landscape. The name Butan came from re-arranging the word ‘bantu’. This can be viewed as symbolic of how the label takes pride in bringing an African perspective to streetwear. “We pride ourselves in being an African label with a strong African narrative, and a look and feel that aims to express who we are as young Africans living on the continent today. This ideology carries through from design to marketing and even governs the way we run our company. Certainly we can’t deny the western influences in streetwear, yet we have come to create a unique look and feel for our brand and continue on this very exciting journey.”

    Butan’s objective is to reflect the local youth and street culture that the brand is embedded within. Julian Kubel, the founder of Butan, made reference to this in his statement that the brand “was never created as an entity that exists outside of street culture, trying to penetrate a certain market segment. The brand grew organically from within the culture and has been intertwined with it ever since.”

    Their latest collection ‘Hidden Panthers’ taps into this directly. Referencing the slogan ‘Aluta Continua’ which translates to ‘the struggle continues’, Butan has plugged into broader political conversations. This is a phrase which holds relevance for people of colour in South Africa beyond its origins as a slogan in Mozambique’s struggle against colonialism. The erasure of other forms of personifying, animating and giving meaning to beauty and style is being fought against from multiple fronts. The idolatry of western beauty standards by the cosmetic and fashion industry is being hacked away through critique. This involves subverting and rejecting violent, colonial frameworks that have attached negative connotations to people of colour. It also involves celebrating black hair, black adornment, black styles, black histories and black cultures.

    “By incorporating a powerful struggle slogan into our clothes I by no means pretend that we are immediately having a powerful impact on people and their political awareness yet it does make people curious and ask questions and dig a little deeper. There are many elements in our clothes that express a strong Pan African philosophy calling for African unity and proclaiming African pride. A lot of our themes and stories tie back to that agenda. Even if we can just create awareness of these stories and get people to engage with African history and get a deeper understanding of the rich cultural heritage of our country and continent, I think we have done our part.”Julian expressed that communicating this through various media is an important way to reach different kinds of audiences. In addition to their ‘Aluta Continua‘ lookbook created in collaboration with Bubblegum Club, Butan decided on a short film. This incorporates the significance of ‘Aluta Continua’ with conversations between hair stylist Mimi Duma and makeup artist Shirley Molatlhegi. In between shots displaying the collection in the streets of Kliptown, Mimi and Shirley share how they encourage people of colour to be proud of their skin and their hair. This connects to the foundational concepts for the collection, and the Butan philosophy.“We are witnessing a revolution in thought and an emancipation that is allowing people to rid themselves of these social shackles and to celebrate their ethnicity and culture. Such movements of awareness have previously been witnessed in the 60s for instance in the US, where they were spear headed by institutions such as the Black Panther Party.  Our current range, the Butan ‘Hidden Panthers’ collection, pays homage to that particular movement and its philosophy.”

    Check out the Butan x Bubblegum Club short film below:

     

    Lookbook credits:

    Photography & Styling: Jamal Nxedlana

    Hair: Mimi Duma

    Makeup: Shirley Molatlhegi

    Photography & Styling assistant: Lebogang Ramfate

    Models: Mimi Duma, Shirley Molatlhegi, Sindy Chikunda, Sechaba TheBakersman, Thulasizwe Nkosi

  • Bushkoppies: creating something from nothing

    The ideology of  the San people was rooted in egalitarianism and this is how they survived harmoniously throughout the wilderness of Southern Africa. Bushkoppies, a creative collective of individuals with a  multidisciplinary skill set, have derived their core values around those of the San people so that they too can survive in Johannesburg, their urban wilderness, as they hunt for creative highs.

    Bushkoppies collectively experienced their last creative high at the showcase of their Offshore clothing collection in late 2016.  The Offshore collection captures the serene vibes that are experienced when you are at the beach through its colour palette and style. For city-dwellers, this collection provides a sweet escape.

    Throughout 2016, the creative collection experienced other euphoric releases of creativity. In April, Bushkoppies established themselves as a creative house and their pop-up experience, which took place in June was their debut. The pop-up was a small beginning, which involved the reselling of rare branded items. Their desperate pursuit for independence quickly led to the launch of their first capsule collection titled “Bushboyz”. The anticipation for their next creative high is growing as they prepare for the release of the Offshore collection in March 2017.

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    Bushkoppies deliberately presented themselves through fashion first because of  the essential attention that their innovative and stylish apparel would grab. As they grow into themselves, Bushkoppies plan to enhance the delivery of their projects by showcasing the multiple disciplines that they have.

    There are currently eight Bushkoppies: Ketumile Malesa (Fine Artist / Fashion Designer), Siyabonga Myaka (Graphic Designer), Hloni Matjila (Photographer / Filmmaker), Sandile Madi (Film Producer / Filmmaker), Themba Konela (Visual Designer / Filmmaker), Lebogang Ramfate (Textile Designer), Kopano Lichaba (Musician / Film Director) and Sizwe Dube (Filmmaker).

    They each celebrate the unique combination of experiences that have built their collective skill set. The creative house are not in the business of creating boundaries for their capabilities; you could have attended an academic institution, gotten professional training or be self taught, as long as you are making something from nothing then the possibilities are endless.

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    “We are not trying to box ourselves. We are challenging the idea that you were supposed to go to school and done this amount of studying or you have to have worked for those kind of people to get there. We are redefining the path and it is too gangster, it is guerrilla, it is like we are MacGyver”, said Siyabonga.

    The lack of resources have compromised the vision that the creative house would have desired to bring to life but it is within these constraints that they have been able to tap further into their creativity.

    “You do not need to have a million rands in order to execute an idea. You do not need to be funded by a huge organisation. You do not need brick and mortar. You do not need a hundred thousand in order to start a movement. We are in a day and age where you can just have an idea and use the resources around you to convey your message. We honestly did not have much. We just approached the people that we knew and the small networks that we had and we have grown exponentially”, said Bushkoppies co-founder, Ketumile.

    Bushkoppies will be launching a website this year but beyond the stream of diverse content that they are creating, they ultimately want to be service providers. The creative house dream of being approached to shoot films, design collections and package ideas for individuals and organisations.

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