Tag: Kgomotso Neto Tleane

  • Bubblegum Club Stories Ep12

    In this episode we checked out Skullboy’s exhibition The Preoccupied Lives of Islands which explores how cellphone culture has connected us globally but divided us on an interpersonal level. We share Tabita Rezaire’s healing frequencies with behind-the-scenes footage of our cover shoot with her. Hakim Malema chatted to us about his staple look for our fashion feature. We also spoke to Rendani Nemakhavhani about the latest offering for The Honey from her and photographer Kgomotso Neto Tleane in collaboration with Nonku Phiri and Odendaal Esterhuyse. This performance piece forms part of Rendani and Kgomotso’s plan for the year – bringing the characters Honey and Gavini to life.

     

  • Honey, we’re home – a real life encounter with Honey and Bra Gavini

    Aus’Honey is a badass black girl that does not only live on the internet. Honey is a real girl and she has rolled out the welcome mat into her & her lover’s boujee home, which is decorated with deep red velvet couches that surround her black and white carpet. An inherited antique cabinet which is filled with her colourful clothing, Zulu slippers and jewels is placed in one corner and two pink ceramic swans, another inheritance from her grandmother, are delicately placed on either side of a BaSotho hat on a black and white server placed in the opposite corner. A record player stands tall steps away from a bottle of vodka, and of course portraits from the chapters of the Honey series that feature Honey’s ride or die, Bra Gavini hang on the walls.

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    Image courtesy of Rendani Nemakhavani

    Honey is a manifestation of different parts of Rendani Nemakhavani, a communication designer and art director, who collaborated with photographer Kgomotso Neto Tleane to share Honey’s life through a cinematic photography series.

    Initially, Rendani wanted The Honey to be representation of different women through one person but as the series unfolded, Honey became an extension of Rendani so using her to portray more than one woman became difficult. Rendani started exploring different parts of herself: her softness, her hair and her electrifying love affair with Bra Gavini, who is portrayed by Kgomotso. The sweet escape that Honey provides has allowed Rendani to share her deepest fantasies, like having a thuggish boyfriend who rides shotgun in her gusheshe. However, her fantasies go beyond fast cars and bad boys. Rendani wanted to be a“model” and through Honey, she has expanded the connotations of the title and created a platform that allows her to be anything else she desires.

    Chapter 3
    Photography by Khotso Mahlagu

    As a fan of their work, The Honey reached out to photographers, Andile Buka and Anthony Bila, to interpret their year of storytelling through a collaboration called the Honeyversay. “GO HOME HONEY” was the theme of the work that the collaboration was based on. From this theme, the idea to create a portal into Honey and Gavin’s home was born.

    So far every interaction with Honey and Gavini has been through a screen or a print. Rendani wanted to make Honey and Gavini tangible and personal. By stepping into their home, Rendani’s imagination becomes real, Honey becomes real.

    Urban Mosadi’s space on 7 Siweright avenue in Maboneng, Johannesburg currently serves as a portal into the happy home and the installation will be accessible through Aus’Honey and Bra Gavini until 1 March 2017.

    Chapter 5_2
    Photography by Kgomotso Neto Tleane
  • Who is the Honey? Making sense of the complexity within Black youth identity

    The most striking aspect about the Tumblr Blog, The Honey, is that our protagonist is many things to her viewer. Her identity is intricate and should not be relegated to our singular expectations of what black identity should be. Its dreamy photography uses the narrative to unfold the story. As you scroll down the pages bits of information are made clearer to the reader about who the Honey really is. One starts with the blog address, allhailthehoney.tumblr.com. One who is hailed is royalty and our honey is THE QUEEN.

    We meet the honey first in her township domicile; a home regardless of its context is not one of necessary wanting. She is surrounded by plush and fabulously kitschy furniture. Wearing a black and white bob cut and small brimmed hat she entices the viewer to wait with her.

    Scroll down and the narration gives us a further glimpse into who she really is.  She is on the phone telling the one she misses that she is no housewife. She reveals how she misses running the shabeen.  She is talking on the phone with her legs crossed in a pencil skirt that hugs her curves, kissing the bed sheets with escaping legs through teasing slit. She also tells us what she wants, “Abuti o onstwhere, o nthswere  hamonate”,  the touch of her man!

    Scroll further down and we are introduced to Gavini. With a backdrop of a bare field surrounded by tiny tin homes and bright yellow lights, these two go spinning through the dust in a red “Gusheshe” BMW. This couple are making plans. In their ride we find them waiting, she too has to be ready with a loaded gun in her hand. This woman does not like to be made waiting and Gavini knows this very well. We are warned who Honey is through Gavini’s eyes that glare at the viewer over dark shades, “Honey ain’t a play thing. Respect The Honey”.

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    This blog represents the very contradiction that comes with black life. There is a beauty and power but one which finds itself locked in the confines of an anti black world. The very setting of the township was one created by colonial administrator as the place where black life would mean nothing, be worth nothing and have nothing. Yet artists and black cultural connoisseurs have reacted against such political functions and have brought on the re-emergence of township life as the site of black creativity.

    It’s in The Honey that black life has a power just in its very existence. It’s a black life of beauty and boldness.  She directs the ways in which she wants to be seen. Honey is no one’s bitch but she can be vulnerable to Gavini. She is your ‘ride or die’ Honey, a business partner for when the deals go down. Yet Gavini still brings his comrade a bouquet of flowers.

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    The Honey reflects the very contradiction of what it means to be black in this world. Honey’s look constantly changes from straight hair, to short cut and even to long braids. She wears the dress and then the pants.  She rocks a gun and then a see through purse filled with flowers. She is both strength and vulnerability. She reflects an understanding of what it means to live in a society that does not value your existence but just by existing as Black woman we are the site of strength and beauty.

    In one image it is narrated; “even in our conditioning, there was something about black being beautiful and black being dark and lovely” . Honey is this understanding of what it means to challenge power. Our strength as black people will also stem from the site of our most vulnerable parts.

    All Hail the Honey, All hail the Queen, All hail our various black selves!

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