Tag: Kalo Canterbury

  • Bubblegum Club mix Vol 7 by K-$

    In her bio she is described as an “internet sensation” we wouldn’t argue with that. K-$ (real name Kalo Canterbury) is a young dj on the rise. We first noticed her for a carefully curated Instagram feed and her very delicious OG-streetstyle looks but its through her sound that she is really starting to make waves. Hot off the release of her mix for NON (featured on Rinse FM) we spoke to K-$ about the exclusive mix she created for us, what she is up to at the moment and the importance of the internet to her as a dj.

     

    Can you tell us a bit about the mix you’ve created for us?

    With this mix, I wanted to create something lekker and bouncy. The songs I chose are all well recognised

    classic funk and disco because they’ve been sampled so many times within more

    contemporary music, especially in hip hop. Paying homage to some of the best bands, groups and

    artists to ever do it back in the day, in a commercially successful sense. Also, each of these songs

    carry that feel-good quality. Don’t tell me you can sit through any of these songs without busting

    out a quick boogie. I also named it “Green Tea Disco” because just like green tea, it’s refreshing.

    Plus I’m always drinking green tea when I make my mixes… Maybe I should start doing that in the

    club when I spin.

     

    What exactly is LIT…and can you tell us a bit about LIT Bassment Ting?

    LIT is a squad of DJs, producers and artists based in Cape Town. Well, we’re actually more like a

    family filled with proper experienced big names like Sumo Jac and Dplanet, to those of us new to

    the game and trying to come up, like me. It’s amazing in the sense that we all learn from each

    other, regardless of our level, so we constantly grow together. We can all hold our own as artists

    and entertainers, but we’re stronger together. We’ve all got each others backs, we all want each

    other to thrive – the support and love is unconditional and the banter is never-ending.

    If I could sum it up, we just have the same idea of what good fun and good music is, and we want

    to share that with whoever is open to it. That’s why we do LIT Bassment Ting. We went from

    throwing a weekly party at Bazinga Bar, to now throwing a monthly party on First Thursdays in the

    basement of House of H on Loop, which has kinda become our headquarters. Our first one was at

    the beginning of October and holy shit, it was LIT. We’re all excited about our second one, taking

    place on the 3rd. We plan to take over Cape Town this Summer. Just watch.

     

    Something exciting seems to be brewing in Cape Town, driven in particular by young

    people of colour and also queer / non binary individuals – why do you think this is?

    There’s a very positive thing happening in Cape Town where people of colour,

    queers and non-binary people are supporting each others art, ideas and movements. This support

    system has almost created a sense of comfortability, safeness and self-acceptance, and because

    of that we’ve become blatantly unapologetic. We don’t just dala what we must, we dala whatever we want,

    however we want, whenever we want to. It’s a gorgeous thing to witness, and an honour to be a part of it.

     

    Why has Joburg never been blessed with a K-$ set?

    I actually played Joburg once back in 2014 at Kitcheners. At the time I basically knew nothing

    about DJing in a technical sense, I just wanted to play some of my favourite songs to a crowd that

    would understand the music too. Things have changed a lot since then and my skills and sound

    have evolved, so I’d love to come up to spin as often as possible now. My pops recently made the

    move to Jozi, meaning I’ll be in the city more and more, and hopefully I’ll play and make

    connections every time I visit. On top of that, Joburg homies have always showed me love whether

    they know me or not, and I know I can bring something refreshing to the table. Holla at me!!!

     

    You truly are an “internet sensation”! How important has the internet been for K-$?

    The internet is everything to me. On a personal level, I taught myself how to play instruments and

    DJ using the internet as my only resource. It opened my mind at a very formative point in my high

    school career and showed me how big the world is. I found many sources of inspiration lurking in

    various corners of the web that influenced my style, the way I think, the way I learn, the shit I like,

    my taste, the way I carry myself. I think because I respected and understood the net when I was

    young, using it as a tool just came naturally. Like my Instagram. That started as pure fun,

    pushing an aesthetic that was true to who I am and no one else, and that persona has just taken

    on a life of its own and I’ve continued to grow with it. I think it reflects in the music I play and the

    way I play it too. The internet really is a wealth of knowledge right at your fingertips, and despite

    the way many assholes abuse it, there’s so much we can gain from it.

  • A reflection on representation: musings on black girl magic

    In the late 90s, Arts & Culture was phased in as a subject in South African primary schools. My teacher was Afrikaans, had a 9 carat gold nail attached by a gossamer chain to a ring resting on her pinky finger and taught me to make biltong and use acrylic paints. Her central thesis was that society operates as a pendulum, swinging from extremes.

    Before anything further is said, I must acknowledge the delight that comes with no longer being the token POC, lone nerd, passionate fangirl, avid consumer etc. etc. ad infintum.

    REPRESENTATION MATTERS.

    Not just of the fairer sex, from The Dark Continent, or of a queer dispensation.

    The ways of being in this world are infinite.

    All must be flexed.

    While the spotlight shines on some of them from time to time, refracting into their cultures and sub-cultures, crews and niches, cultural capital is a roaring economy. We know which styles get the most shine and trendy appropriation is usually a dead giveaway of the marketability of oppressive underrepresentation.

    On the day that this was shot, I was chuckling with Dope Saint Jude and Kyla Phil about how cute it was that the photographers had expressed how relevant black girl magic is right now.

    Relevant: closely connected or appropriate to the matter in hand.

    Trendy: characteristic of, influenced by, or representing a current popular style.

    There is a big difference.

    Nonetheless, the matters at hand for the women in this feature may very well be easily aligned with the styles of Russian ravers, Senegalese surfers, WASPs, or Taiwanese gender benders. And then again, maybe not.

    For instance, Marge Linderoth is a sweetheart angelface hairstylist; Purity is the lead singer of indie-dream-wave/horror-funk band, The Pranks. Their lived experiences might be chalk and cheese, but maybe they’ve worked, lived, played together.

    Kalo Canterbury aka k.dollahz aka international playboy/daddy/prettyboy, and Jana Babez Terblanche (Britney Spears meets Athi-Patra Ruga) are both crushing gender binaries through subverting heteronormative ideals. One does it via performance art; the other as part of the streetwear sex gods fashioning an anomalous support for local products out of discontent with the disconnect between the mainstream ‘fashion industry’ and on the ground street style in Cape Town.

    And while actress and filmmaker Kyla Phil deposes of discourse despots on the daily in her hard-earned capacity as a flourishing (read: woke) thought-leader, LadySkollie, the fine (AF) artist pioneers paths in both the creative industry and in understanding of contemporary sexual experiences.

    Some time back I wrote about rapper Dope Saint Jude’s visceral style of parading and parodying positions of power – all of these individuals are doing that in their respective life-worlds, and it has got everything and nothing to do with being African women.

    This gathering of individuals is in no way a statistically accurate representative of women in Africa, but it is an interesting sample, intoxicating in its authenticity. Its like a flip on The Spice Girls, but with more people because duh, T.I.A.

    So it goes without saying, that defying prescribed societal roles in a country like South Africa – one of the most diverse in the world, with four broad racial groupings, 11 official languages, countless cultural identities and ethnic bonds, a huge gap between rich and poor and growing communities of migrants and immigrants – is somewhat superfluous.

    The experience of being an African woman is ineffable, intersectional, liminal, and oh so lit.