Tag: globalization

  • Artist Eddy Kamuanga Ilunga on negotiating the relationship between the past and present

    Artist Eddy Kamuanga Ilunga on negotiating the relationship between the past and present

    Eddy Kamuanga Illunga is a young artist from DRC whose work focuses on the nuanced layers of his country and hometown, Kinshasa. He began art studies at Académie des Beaux-Arts in Kinshasa, and found that it assisted him with the technical aspects as a painter, but muffled his work conceptually. As a result he decided to leave the institution, and found himself drawn to other artists with whom he found an affinity. Collectively they formed a studio called M’Pongo which offered a space for them to share ideas and exhibit together, molding their own styles that were plugged into the electricity of their city, and inserting this into the Fine Art space.

    Individually, Kamuanga Ilunga zones in on the socioeconomic, political and cultural alterations that have taken place in DRC since colonialism. He has created work that unpacks the nuances around the impact of modernity on cultural groupings, and the way in which people in Kinshasa are negotiating change and tradition.

    DRC is one of the largest exporters of coltran, a raw material necessary for the production of computers and cellphones. Kamuanga Ilunga makes reference to this visually through a stylized mimicry of a circuit board painted across the skin and backgrounds of his images. This also has the effect of placing his work, his city and the people he depicts in his paintings within the context of globalization, signifying its overpowering consequences. In his latest series, Fragile Responsibility, we see this motif used as the skin for the figures, while cloth, hats, suspenders, lace table covers, and porcelain objects tap into the history of the Kongo Kingdom, and the exchanges that took place with colonial traders. In this work Kamuanga Ilunga pays tribute to the slaves and ancestors who resisted the human trafficking. The figures appear somber and mournful, with their heads hanging low and cloth barely hanging on to their bodies, symbolically pointing to the loss of life and de-centering of African cultures through colonialism and the condition of coloniality.

    To check out more of Kamuanga Ilunga’s works visit his Instagram.

  • Daily Paper // transcending borders with their latest women’s collection

    Daily Paper // transcending borders with their latest women’s collection

    The Amsterdam-based lifestyle and streetwear brand Daily Paper present their third women’s collection as part of their “Transcend Borders” Spring/Summer 18 campaign. Founded by Jefferson Osei, Hussein Suleiman and Abderrahmane Trabsini, who have their roots in Ghana, Somalia and Morocco, aim for every collection to have an element that pays homage to their cultural homes.

    In an interview with the Head of Design at Daily Paper, Berivan Cemal, she explained that this collection was built on the idea of transcending expectations. The idea came from a conversation she had with Jefferson, Hussein and Abderrahmane about their travels and global connections. Related to this was a larger discussion about why we seek relationships with people across the globe and how it is possible to identify with people from different countries.

    Conceptually, the collection also makes a comment on how bodies are governed through the use of passports and documents that are necessary for the policing of borders. “We challenge a system that aims to keep us within boxes and borders.” The collection tells a story that is influenced by globalization, with the intention of putting an end to ideas like racism and truly embracing multiculturalism. The focus on eroding borders has always been part of the Daily Paper DNA, but it was with the SS18 collection that they engaged in this conversation intensely. “We want the youth to talk to each other. If a conversation arises from someone noticing a print on a t-shirt then so be it. We realize that these kids are the future and they love to express their identity through clothing.”

    Oversized silhouettes, taking the form of trousers, blazers, pullovers and a statement snake-skin set, exhibits a revolving activewear theme with tracksuits and printed shirts all making noteworthy appearances.

    The editorial plays on afrofuturistic aesthetics, where shadows create a cryptic, other-worldly mood, visually tapping into the idea of transcending borders. Reflecting on the shoot, Berivan stated that she loves “when something looks beautiful and glamorous from afar and up close you discover small elements of surprise. We wanted it to seem like it was shot in a studio but reality, it’s a beautiful colored wall outside, taking advantage of Africa’s beautiful lighting. I wanted to create something only possible in South Africa, something only feasible with a team of amazing creative locals.”

    Check out the Daily Paper website to get a hold of this new collection.

    Credits
    Photography: Jamal Nxedlana
    Art Direction: Jamal Nxedlana & Berivan Cemal
    Styling: Berivan Cemal & Jamal Nxedlana
    Hair: Yonela Makoba
    Make Up: Nuzhah Jacobs
    Produced by: Bubblegumclub & Berivan Cemal
    Photography Assistant: Andrew Aichison
    Styling Assistant: Sarah Hugo-Hamman
    Models: Ideline Akimana and Gina Jeanz