Tag: Ghana

  • Prince Gyasi – instilling hope through imagery

    Prince Gyasi – instilling hope through imagery

    Ghanaian photographer Prince Gyasi likes to describe himself as an artistic vessel who uses imagery to express how he feels, and to share what he cares about. Primarily producing portraits and documentary photography, his work creates a collage of his city and the people who live in it. Playing with colour, shadow and composition, he has developed a style that beautifully captures planned and candid moments. With Instagram operating as an online gallery and portfolio for his work, he is able to curate the collective visual narrative for his photography, pushing against the fetishized and problematic representations of African cities by outside photographers.

    Reflecting on his portraiture, Prince expressed in an interview with Sukeban Magazine that, “Portraits are part of human history…Portraits go way back; it helped people keep track of growth, express creativity and record memories. I believe portraits are important in our generation; it helps you communicate your emotions to others just by the way you look. As a photographer when you’re taking portraits you’ve got to be the mirror! People have to look at their portraits and say I feel dull today, I’m happy today, or I feel I’m really pretty or fine. It helps people grow and tackle their day to day issues with hope.”

    His most recent project continues with the idea of instilling hope in people. Prince co-founded Boxed Kids with his partner Kuukua. This nonprofit project aims to help creative children in Jamestown with getting access to education. The name “Boxed Kids” refers to the fact that many of the children Prince came across in the small fishing district were in places and situations that are difficult to come out of without any assistance. Inspired by an event that his mother organised to help underprivileged children, his aim was to go further by helping them to develop their creative talents through education.

    The initial plan was to launch a campaign that offered direct access to school, but with this own limited means this was not an option. Working within his own creative practice, Prince took photographs of the city, some of the children and the conditions in which some people live, and shared this on Instagram. Titled ‘Boxed Kids: Accra, Ghana’, this work received an increasing number of likes and shares, and this response encouraged him to set up a gofundme page for some of the children he has gotten to know, with the hope that this will assist with the initial goal.

  • Daily Paper // transcending borders with their latest women’s collection

    Daily Paper // transcending borders with their latest women’s collection

    The Amsterdam-based lifestyle and streetwear brand Daily Paper present their third women’s collection as part of their “Transcend Borders” Spring/Summer 18 campaign. Founded by Jefferson Osei, Hussein Suleiman and Abderrahmane Trabsini, who have their roots in Ghana, Somalia and Morocco, aim for every collection to have an element that pays homage to their cultural homes.

    In an interview with the Head of Design at Daily Paper, Berivan Cemal, she explained that this collection was built on the idea of transcending expectations. The idea came from a conversation she had with Jefferson, Hussein and Abderrahmane about their travels and global connections. Related to this was a larger discussion about why we seek relationships with people across the globe and how it is possible to identify with people from different countries.

    Conceptually, the collection also makes a comment on how bodies are governed through the use of passports and documents that are necessary for the policing of borders. “We challenge a system that aims to keep us within boxes and borders.” The collection tells a story that is influenced by globalization, with the intention of putting an end to ideas like racism and truly embracing multiculturalism. The focus on eroding borders has always been part of the Daily Paper DNA, but it was with the SS18 collection that they engaged in this conversation intensely. “We want the youth to talk to each other. If a conversation arises from someone noticing a print on a t-shirt then so be it. We realize that these kids are the future and they love to express their identity through clothing.”

    Oversized silhouettes, taking the form of trousers, blazers, pullovers and a statement snake-skin set, exhibits a revolving activewear theme with tracksuits and printed shirts all making noteworthy appearances.

    The editorial plays on afrofuturistic aesthetics, where shadows create a cryptic, other-worldly mood, visually tapping into the idea of transcending borders. Reflecting on the shoot, Berivan stated that she loves “when something looks beautiful and glamorous from afar and up close you discover small elements of surprise. We wanted it to seem like it was shot in a studio but reality, it’s a beautiful colored wall outside, taking advantage of Africa’s beautiful lighting. I wanted to create something only possible in South Africa, something only feasible with a team of amazing creative locals.”

    Check out the Daily Paper website to get a hold of this new collection.

    Credits
    Photography: Jamal Nxedlana
    Art Direction: Jamal Nxedlana & Berivan Cemal
    Styling: Berivan Cemal & Jamal Nxedlana
    Hair: Yonela Makoba
    Make Up: Nuzhah Jacobs
    Produced by: Bubblegumclub & Berivan Cemal
    Photography Assistant: Andrew Aichison
    Styling Assistant: Sarah Hugo-Hamman
    Models: Ideline Akimana and Gina Jeanz 

  • Afripedia to launch new platform to connect creatives with clients and each other

    Afripedia to launch new platform to connect creatives with clients and each other

    Africa’s representation has been exhausting – it’s typically about poverty and her friends, disease, unemployment and corruption. From the West, Africa is every NGOs wet dream or just one long sad story. Now being raised in Sweden with strong Ethiopian and Eritrean roots, Teddy Goitom and Senay Berhe knew the pitiful narrative. It all changed when they traveled to the continent in 2009 and witnessed its “hidden” glory for themselves.

    This exposure was revolutionary for Teddy and Senay. As seasoned directors, they were compelled to use the power of film to capture how fellow creatives were navigating themselves on the continent and releasing their creative expressions. Behold, the birth of Afripedia, a visual guide for African creatives.

    Created by Teddy, Senay, and fellow director of Stocktown Films, Benjamin Taft, the documentation of Afripedia’s content began on that 2009 journey to Ethiopia, Ghana and Burkina Faso. The trio are film heavy weights and have been innovating visual storytelling since the late ‘90s and Afripedia’s gripping and spirited essence is a testament to the mastery the trio have over this medium.

    The foundation of Afripedia is to develop the imagining of Africa, hence the determination to share the documented stories with Swedish television, as well as the world. The initial process to gain Swedish co-producers and sponsorship was difficult because these potential partners wanted a European voice to narrate these African stories. However, Afripedia values the voice of the storyteller and the ownership of their narrative so Teddy, Senay and Benjamin financed their own productions.

    The project of Afripedia was fuelled by a DIY mentality, with extensive research and nurturing global connections. YouTube and film festivals added to Afripedia’s reach and gained the site some funding in the end. The result being five short films being released in 2014 – Ghana, Kenya, South AfricaSenegal, and Angola. Since the launch of these films, Afripedia has been part of more than 80 film festivals, the films have been shown on SABC, BET and Afridocs. Ethiopian Airlines, KLM and Kenya Airways have included the films on their in-flight entertainment.

    These insightful films took about five years to complete and with the burning desire to continue the work they have started, Teddy and Senay have begun extending their documentaries into an actual database where the creatives can be found. This idea expands Afripedia into a platform on which African creatives can be recruited by clients and connect with each other in order to build their team.

    The platform focuses on African creatives talented in production, so photographers, stylists, art directors, film directors, illustrators, graphic designers and animators. Before the platform is released in May 2018, Teddy and Senay are currently inviting prominent and emerging creative talent from Africa and the diaspora to join. When it is available to the public, the curated platform will be a virtual booking system, way to connect creatives and clients, and a digital portfolio.

    To keep up with the innovative ways Afripedia is elevating the exposure of African creativity, subscribe to their site here.