Tag: Etv

  • Internet Censorship // Undermining the democratization of information

    Internet Censorship // Undermining the democratization of information

    “To the past, or to the future. To an age when thought is free. From the Age of Big Brother, from the Age of the Thought Police, from a dead man – greetings!”

    ― George Orwell, 1984

    The modern digital technology of the internet has been an integral element in the democratization of knowledge – eliminating barriers of access, resulting in the proliferation of new ideas beyond borders. The speed at which content and information can be shared is vastly more instantaneous than ever before. Social media has in many ways provided platforms for those previously voiceless and disenfranchised.

    The controversial Films and Publications Amendment Bill, also known as the “Internet Censorship Bill”, was passed by the National Assembly earlier this month. The votes stood at 189 in favour, 35 against, with no abstentions. Its official mandate is to protect children from being exposed to disturbing or harmful media content and curb hate speech. However, the extent of its jurisdiction appears to reach beyond that, including into your smartphone.

    Those opposing the Bill have voiced concerns over the vague and broad terminology used in the piece of legislature. They argue that it is an infringement on article 16 of the constitution, which outlines freedom of expression as, “a. freedom of the press and other media; freedom to receive or impart information or ideas; freedom of artistic creativity; and academic freedom and freedom of scientific research.”

    The Film and Publication Board (FPB) would also be able to intervene in the jurisdiction of the Independent Communications Authority of South Africa (ICASA). Initial critics of the Bill included MultiChoice, eNCA, eTV, Right2Know, Media Monitoring Africa, the SOS Coalition, the South African National Editors Forum, the National Association of Broadcasters, Google and the South African Broadcasting Corporation (SABC) as it will undoubtably have lasting effects on the industry.

    The Bill also gives provisions to the FPB to block online content in South Africa. This is extended to “user-generated content” – including media posted to Facebook, Twitter, and other social media services used by individuals. Essentially allowing the government to monitor and restrict your social media, defining what sanctioned content may be shared and disseminated.

    South Africa has a long and dark history with censorship. During Apartheid the government attempted to contain media – aligning it to the political ideology. The Publications Act of 1974 provided the Nationalist party the power to censor movies, plays, books, and other entertainment – framing the perception of ideas to uphold white supremacy and systemic racism.

    Media creates a space in which certain views, opinions and notions of representations are normalized. This becomes problematic when only a singular narrative is being presented as ‘true’ without any further contestation or room for debate. In these instances, subjective information is used to influence public opinion as a means to promote a particular agenda. Restrictions on free speech hamper critical thinking and an engagement with a varied spectrum of opinions. It is also worth asking who censorship protects and what the costs of defying it will be.

  • Horus Tha God – Taking Flight

    The falcon headed Horus was one of the most powerful deities in Ancient Egypt- the Pharaoh’s claimed that they were Horus in human form.  It take a lot of self-belief to adopt the name of such a potent mythological figure, but Horus Tha God seems primed to live up to this title.  His latest track Bangarang (produced by Trip G) is the official single for the forthcoming The Alien Tape.  Over a skeletal beat, the lyrics take overt influence from Future’s trap style. But it goes beyond mere emulation, by taking typical rap boasting about criminal prowess to a ludicrously entertaining extreme.  In the song he compares himself variously to drug kingpins like Pablo Escobar, El Chapo Guzman and the fictional Alejandro Sosa from the movie Scarface. Hilariously, the songs chorus of ‘Taliban, Taliban, Taliban shoot ‘em up like Afghanistan’ got its premiere on the ETV’s youth show Shiz Niz.  Horus is clearly self-aware about all this absurdity, as the song gets its name from Steven Spielberg’s family movie Hook!

    Horus is promising that The Alien Tape will be a diverse mix, including a ‘heavy metal track. with Zulu verses’.  The Horus name is that latest moniker of Pietermaritzburg born artist Luthando Sithole.  Under his previous pseudonym Jonny Joburg, he both released his own work and produced for musicians like Cama Gwini.  His lyrical and musical skills are most vivid in the moody track Mazishe. The song is both nostalgic and ominous, underscored by an exceptional music video which depicts the mystery of nocturnal Johannesburg. He also put in time hustling to break his music in the US, with stints spent in Miami and Los Angeles. Based on his Facebook page, he has quite the tale to tell as he interacted with moguls like Birdman and Puff Daddy.  The time in America has fed into the Horus persona which reflects a less austere, more approachable contemporary style which will have wide appeal in South Africa and beyond.