Tag: curator

  • BubbleKoppe – Curating Digital Archives

    Digital space is becoming an ever expanding archive. These platforms operate as constructed mechanisms of power that begin to shape collective memory and identity.  BubbleKoppe engages in this process. Founder, Justin Ronne, says “I consider myself somewhat of a curator of Air Max culture and BubbleKoppe is my museum.” A scrolling display of organic forms showcases the ‘Golden Era’ of sneakerdom. The kaleidoscopic colour palette ranging from neutral tones to neon designs is visually unified by an iconic ‘bubble’ heel. The online exhibit would make any sneaker devotee salivate.

    BubbleKoppe merges an affinity for Nike Air Max cushioning technology with a unique Cape Town flavour. “There were people in Cape Town that were always into and collected Air Max sneakers, I just gave us a name.” The project began as a Facebook group in 2011, but now boasts an impressive network of 10 000 followers on Instagram. “Your sneakers say a lot about you. Throughout the decades certain sneakers have identified with a certain audience or certain place. Cape Town is Bubble City no doubt about that, we wear more technical sneakers down here and are more into basketball footwear than other parts of the country.”

    Justin Ronne

    Ronne’s interest in sneakers began two decades ago but he began taking the venture more seriously in 2008. His collection ranges from 200 pairs of sneakers – of which in excess of 60 pairs are Air Max sneakers. “I remember geeking out at other kid’s Air bubbles. I used to dream of owning certain pairs – the technology really amazed me and was unlike anything else I had seen before. I got my first pair of Air Max shoes in 1996 (Nike Air Ripped) after begging my parents for a couple of years.”

    His curatorial strategy is centered around finding and displaying rare Air Max models. “I wanted to find and post all the obscure forgotten about Air Max models, the rarely seen and unpopular Air Max’s that I thought were often much better. They deserved to be known by more people, especially sneaker collectors throughout the world.” Five years later he is still stumbling across Air Max’s that he has never seen before.

    BubbleKoppe uses the internet and Instagram as the primary source of research. “Certain things will jump out at me and I will know what to use…I do try to post different images focusing on the different types of Air cushioning technology from Nike. Air Max, Air Zoom & Air Tuned most frequently.” The project engages with a global audience. Name the Bubble? is a strategy in which knowledge within the network of BubbleKoppe is drawn upon to contribute to the growing archive of information and surrounding discourse. The virtual space is also acts as digital meeting place in which individuals can share and contribute to the production of culture.

    Nike Air Total Max Uptempo %22Neon%22

  • NOTHING GETS ORGANISED- Spaces of Freedom

    On the 28th March, the Nothing Gets Organised group  is opening a new project space in the Johannesburg CBD.  NGO – NOTHING GETS ORGANISED will highlight a wide program of visual arts against the unassuming background of a converted commercial property wedged in next to car repair shops.  The event spotlights a diverse range of multimedia work from South Africa and beyond. Included with the NGO collective, are the Brazilian artists Cinthia Marcelle and Tiago Mata Machado, along with  Pratchaya Phinthong, Nyakallo Maleke, Caner Aslan, Lerato Shadi and Donna Kukama (with Nadia Myburgh). The opening night also highlights a special performance of Donna Kukama’s work ‘To be announced’.

    ngo 3

    The Nothing Gets Organised project was founded by an original core of Johannesburg based curators and visual practioners. Dineo Seshee Bopape, Gabi Ngcobo and Sinethemba Twalo  have  all previously experimented with using unexpected spaces in the city as a platform for showing contemporary art.  This has involved taking art out of the white cube and gallery space, and into unexpected, sociologically potent settings.   Gabi Ngcobo was previously the curator of the now defunct Centre for Historical Reenactments, which  specialised in striking and original interventions into Johannesburg’s historically traumatised psyche.  For instance, PASS-AGES was staged at the site of a former Pass Office in Alfred Street, a space which had been used for the Apartheid state’s  surveillance and control of black people’s basic freedom of movement.

    The NGO project takes these interventions in a new direction, by focusing on creative a progressive aesthetic for the challenges of the present. NGO’s mission statement is an interest ‘  in un/conventional processes of self-organising – those that do not imply structure, tangibility, context or form. It is a space for (NON)SENSE where (NON)SENSE can profoundly gesticulate towards, dislodge, embrace, disavow, or exist as nothingness!’.

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    In recent times, Johannesburg has seen a lot of an attempts at the corporate regeneration of the inner city. But behind the rhetoric of upliftment, the reality has been the creation of securitised, exclusive spaces which often reinforce segregation and inequality. By contrast, NGO have taken it upon themselves to open creative spaces at a grassroots level. Over the last months, their Facebook page has shown their busy work on getting the venue ready, and the sheer joy of building a unique creative space in an often imposing and alienating city.

    NGO, 127 Albert street, 28 Nuggett Square, 2001, Johannesburg, South Africa