Bubblegum Club

Tag: composition

  • Arielle Bobb-Willis – The Young Artist Using Colourful Styling and Photography as a Therapeutic Meduim

    Arielle Bobb-Willis – The Young Artist Using Colourful Styling and Photography as a Therapeutic Meduim

    Vividly coloured wardrobe hugs the bodies of models, embracing static, powerful poses. And it is as if the viewer is looking at non-human entities, statues or mannequins perhaps – artworks in their own right. But the 23-year old image maker from New York pushes her already existent art pieces into another medium by photographing her human “colour statues”/ “creatures”.

    Moving to South Carolina for high school, Arielle was soon overcome with a depression that lasted for five years. Her release came by chance in the form of a placement in a digital imagery class the high school offered where she was introduced to the various aspects of photography. It is here where Arielle found a form of cathartic release that helped her in her battle against depression.

    “…when it comes to photography I’m always looking for photos that make me ask why? Or how?” Arielle prefers to see the subject of her image as a shape. She then takes this shape and forms it to become a part of a larger composition, straying away from the face as a focal point in her work. She expresses in an interview with Its Nice That, that colour is central to her practice as her life was characterized by its absence for a long time. Experimenting with colour is her expression and acceptance of the playfulness she currently experiences in life.

    From the conceptualization of a project to its execution and completion, Arielle is open to let her imagination and chance take the steering wheel. Often starting her process by seeking inspiration, she hunts in thrift stores and drives around to find fabrics and landscapes that captivate her mood at that time. The poses her models inhabit generally take place in an improvisational manner and she expresses that the outcome of her work is not always what she expected, but that she embraces it fully.

    Photography is a powerful tool that can be used as a therapeutic medium. Arielle’s work which combines brilliant colours and intriguing poses convey a sense of euphoria. The power and psychological impact of colour is displayed in her work. Art for therapy is a beautiful personal experience that can help others realize their own abilities to use artistic mediums for self-love.

  • Photographer and Film Maker Jarred Figgins uses imagery to see the beauty in peculiarity

    Photographer and Film Maker Jarred Figgins uses imagery to see the beauty in peculiarity

    Traditional framing broken and carefully pieced together. The cutting off of feet in a frame, blowing them up and lending them their own image – making them carry their own worth. Soft hazy, dreamlike images are painted. Jarred Figgins strikes the balance between careful contemplation and haphazard play with his photographic work. With images that often hiss oddities, it must be understood that they are thoughtfully constructed in a simple matter-of-fact way.

    The South African photographer has in recent times become increasingly involved in the art of the moving image. Spending his formative years in Johannesburg, he relocated to Cape Town at the age of 18. Theoretical knowledge in the field was built up during the years he spent studying. Reflecting on his craft and childhood, Jarred explains that his desire to create images that were non-conformist was aroused from a need to splinter conventionality.

    Questioning the label of fashion photographer that can easily be latched on to him, Jarred tells me that what sets you apart in a world of fast content consumption is the ability to approach the same subject matter in a slightly different way and a determination to stay ahead of the pack.

    Discussing his interest in film Jarred states, “I think that film really allows you to manoeuvre an idea in a specific direction that a still sometimes lacks. It’s like being able to grow an idea so much more which so quickly takes shape or exerts a feeling without much effort…” His short film pieces come across as an experimental, visual ode, keeping its refinement in its technicality and precision.

    He pinpoints his stylistic edge as something that often times takes place in post-production. “I’m not necessarily doing anything different with photography or composition, it’s just something I perhaps find fun or alarming whilst editing.”

    About his process and tendency to work on set, Jarred tells me that careful planning does not always play out the way it is anticipated on set. He emphasises that for him a fine balance needs to be struck between playing by the rule book and letting the shoot take its natural course.

    A great deal of his work for a shoot happens in pre and post production. The pre-production work could be seen as the most taxing, perhaps, as Jarred frequently builds his own sets and regards his curated playlists for shoots to be an integral part of his creative process. His photographic work is seen by him as a vehicle that allows him to express what he wants to the world.

    Jarred’s work both moving and still are trademarked by his stylistic choices that sets him apart. His play with lighting and colour that results in dreamlike painterly images elevates the concepts of his work. His unusual way of piecing together various images and fragments of images into wholly different layouts creates peculiarity and beauty – the beauty in peculiarity.

  • The Human Touch and Sensibility Inherent in the Photographic work of Senay Berhe

    The Human Touch and Sensibility Inherent in the Photographic work of Senay Berhe

    Senay Berhe is a self-taught image creator from Stockholm, Sweden predominantly known for his work in the film industry. But what needs to be foregrounded among his other talents, is his still imagery. His creation of visual eye candy. Eye candy coated with deep depth of field, contrasted areas that melt into darkness, natural lighting and settings, traditional composition and rich tones. Silhouetted forms are lent a godlike stature with a magnificent glow around their faces, an appraisal of beauty perhaps? Moving away from his sweeping portraits, you are met with halting documentary images so vivid that they come across as the actual occurrence captured, not just a copy of real life.

    His day-to-day profession as a film director has granted him access to the world as a traveler and he has thus been able to create images in New York, across African cities, as well as in the city he grew up in.

    Fixated with images ever since he can remember, he was determined to find a career related to their production. Affirming his passion for the still image he expresses, “It was about two years ago that I really fell in love with photography again. I always loved photography and had been shooting occasionally, but now I’m obsessed with it and shoot every day. I set a goal a year ago: to at least take one photo a day that I’m satisfied with.”

    The first moments of documentation started taking hold of his creative being as a teenager. He was driven by a desire to document the graffiti and skateboarding culture that influence him. Senay reveals his current image creation tools to me as a Fuji X 2 pro, a 23mm (35mm) f/1.4 lens that he prefers for low lighting conditions and portraiture work.

    “I see my own photography as visual poetry and my work often surrounds or reflects my own emotions. It allows me to communicate what I don’t say in words. I’m quite interested in the mundane, ordinary everyday life situations and finding the beauty and surrealism in that. I look for details and tend to shoot a lot of urban life. Maybe because that’s how I live.” Senay’s imagery flows in a painterly fashion and conveys strong heart felt emotions. Emotions that are representative of his ability to identify with the people he portrays with immense dignity.

    Reflecting on his practice Senay explains that he regards it as an act of documenting the now for the future. He sees his photographic work as an attempt at understanding himself and the world around him. “It makes me stay curious and takes me places, forces me to interact with people, and allows me to challenge myself, my perceptions and my beliefs.”

    Senay highlights the qualities that he looks for in an image to me as beauty and simplicity. He goes on to say that he is speaking about how his subject relates to their surroundings in that moment, as well as the quality of light. “I love shooting documentary because of the element of surprise, and that’s always what I’m trying to recreate when creating an image. The aim has always been to make it feel as natural as possible, with a human touch and sensibility.”

    Senay’s photographic work can be regarded as a personal documentation of the world he sees around him. His images are powerful due to the fact that they carry real emotion and a human touch and sensibility. His creation of literal eye candy, makes it difficult to look away from them or forget them. The rich tonal values combined with immense contrast are indicative of his subjective view oozing with emotion. Senay’s work is a feeling.

    He will be having an exhibition of his work in the beginning of April in Stockholm.