Tag: chance

  • Fatima Tayob Moosa – Metaphysical Encounters and Cathartic Moments

    Fatima Tayob Moosa – Metaphysical Encounters and Cathartic Moments

    Ephemeral. A momentary meeting of colour-spectrum bleed. Fluidity of form. Trickling tenderly. The suspended timelessness of abstraction. Fatima Tayob Moosa explores the intersection of analysis and unhindered expression. Throughout her life, Fatima has always been lured by the paint and brush. However, she initially in her career she studied design. In 2015 she decided to pursue fine arts more formally and began studying at the University of Hertfordshire for her MAFA.

    Her latest exhibition, Encounters, combines three different bodies of work. Through her practice she locates herself within the context of her environment, cultural background and also explores aspects of science – approaching the cell as her subject. “I wanted to look at the deeper aspects of it, the cells in our bodies which I believe hold emotions and memory.” Fatima explores how our biological make-up contains the code to who we are as people. Science and art are often perceived as disparate disciplines. However, she locates the intersection between them.

    Fatima’s process-centric work navigates aspects of the physical and metaphysical world – and what that means to us as human beings. Fatima is also interested in the complex dynamic between humans and our environments – the way we affect and experience our surroundings as well as how they in turn mold us.

    There are traces of her design-background peppered throughout her work – especially in her collage pieces. She describes the process as a “balance between mind and heart”. The images appear almost sculptural – as representations of objects are layered and counterbalanced between forms and structure. Her paintings on the other hand, appear to be far more organic. “It’s quite a spiritual process for me”. Fatima notes that the process is a space for her to connect with herself, the earth, the environment and a sense of higher being. “When I sit down to make a painting, I have to complete it”. Painting seems to provide a transcendental space of catharsis.

    “I use a lot of water in my paintings, I love the fluidity of it. The element of water talks to me in a different way, I feel very connected to it.” Fatima also explores elements of chance through her work – by allowing the paint to move and the colours to blend freely. The colour palette in her work relates to building a personal visual language, ‘the colours have also come to mean something to me, as I paint they sort of personify themselves.” Her work as an artist is in many ways an expression of her lived experience, cultural background, environment and biology. “As we go through life we seem to pick up little pieces of our past, whether it’s bringing it back to resolve something or not”.

  • Artist Modupeola Fadugba on chance, human agency and conquering fears

    Artist Modupeola Fadugba on chance, human agency and conquering fears

    Modupeola Fadugba, born in Togo and now based in Nigeria, is an artist who made a 180 degree turn from her studies in engineering, economics and education. However, these have not left been left behind, with elements of economics and education sprinkled on the conceptual foundations of certain artworks. Fadugba focuses on identity, women’s empowerment and social justice within the sociopolitical milieu of Nigeria. Paint, drawing, burnt paper and installations are the mediums through which she creates her socially engaging work.

    Her 2016-2017 series Synchronized Swimmers takes its point of departure from an intimate and innocent memory she had as a child growing up in Lome. This memory was her fear of the sea, its vastness was too daunting and confusing to comprehend. The pools she was exposed to when she moved to the US for a while were less frightening, but her fear of the water remained until faced with compulsory lap-swimming classes at boarding school in England, aged eleven. Her first long drawn lap left her with a sense of accomplishment, and made her realize the water could be conquered. 20 years later in Nigeria she found herself facing another water-related fear, diving. With encouragement from her brother she leapt into the water from the diving board. While these may seem silly, they acted as forms of encouragement for her art, having decided to delve into the art world full time. Fadugba’s ‘pool’ works fall into two series of painting, Tagged (2015-2016) and Synchronized Swimmers (ongoing). Tagged sees a group of young women moving under and over the water in pursuit of a red ball. Synchronized Swimmers on the other hand sees young women clustering their bodies and hands together to lift one another into the sky. The red ball still makes an appearance, but the figures do not pay attention to it. Fadugba’s combination of acrylic, oil and burnt paper give the paintings a mysterious and confusing atmosphere, and yet the figures make the work visually appealing.

    ‘Synchronized Swimmers’

    A second collection of work titled Heads or Tails (2014-2017) sees Fadugba unpack the Latin motto that appears on the American dollar bill – Annuit cœptis.In her artists statement she explains thatthe US Mint translates Annuit cœptis as ‘He [God] has favoured our undertakings,’ and the United States’ official motto—’In God We Trust’—emblazoned across the centre of the bill leaves no doubt as to God’s supreme presence. Yet the original Latin could be more accurately translated as ‘our undertakings have been favoured’; there is no direct mention of God, no certainty as to who is bestowing the favour.” With this interpretation Fadugba questions the certainty of who does the watching over, and who receives the favour. Heads or Tails looks at the themes of chance and value and how they determine the course of people’s lives. The series consists of paper painted coins of various sizes, with the faces of Black women appearing on them. These paintings appear on burnt paper. The coins and combined with the title point to the idea of the coin toss, a recurring theme in Fadugba’s work, signaling her preoccupation with luck and human agency.

    Her artist statements and explanations of her work channel the creative writing spirits of Chinua Achebe and Chimamanda Ngozi Adichie with their poetic and relatable nature.

    To check out more of Fadugba’s work visit her website.

    ‘Heads or Tails’
    ‘Heads or Tails’
    ‘Synchronized Swimmers’