Tag: afro-house

  • MTAGGA – techno music and reclaiming tribal identity

    MTAGGA – techno music and reclaiming tribal identity

    We spoke to co-founder of Cerebral, Joseph Ntahilaja about his sonic style, his debut published mix and the new mix he created specifically to share with Bubblegum Club readers.

    Please introduce yourself, and Mtagga to our readers. Who else did you work with on this, or is it a solo project? And how long have you been making music for? 

    Hi I’m Joseph Mtagga Phillemon Ntahilaja, 20 years of age. I am Jo’burg resident of Tanzanian descent, studying and using myself as a medium on a daily basis. Mtagga is my tribal name, my clan comes from a small village in Tanzania, called Ngara, the people of our tribe are known as ’Waangaza’. Before my Dad’s clan migrated to Ngara, our clan once ruled Burundi and one of the Chiefs was called Mtagga, which translates to ‘day time’. I was obviously born during the day. Personally I view Mtagga as my inner child, because growing up that’s what I referred to as whenever I engaged in a ‘little bit of mischief’, so the connotation got engrained subconsciously. I guess using MTAGGA as my DJ Alias was part of my need to reclaim my tribal identity and also the inner child in me, which I believe is the nucleus of my creativity. It is a fully solo project as it is another part of myself. I’ve been in music for just under a year but for me music was always something I was gonna go into as I am obsessed with the transfer of energy through sound, so was just a matter of finding the right time and gaining access to the resources. Cerebral was a motivating factor too as I kinda said to myself I wouldn’t start it up until I’m ready to play at it too.

     I found ‘Safari Ya Sauti‘ to be a very emotional listen! What was the inspiration behind the mix?

    Techno is a genre with multiple sub-genres and sounds unique to its geographic location. It’s for this reason amongst many others that I really appreciate it. ‘Safari Ya Sauti’ (swahili: Journey of Sound) is an exploration of these sub-genres through my mind. The common theme amongst the track selection though is to evoke high energy and emotion, cause for me dance music is meant to be a tool to escape your reality and enjoy being alive, and that’s what I want my sets to reflect.

    And how would you define your style?

    ‘Safari Ya Sauti’ was my first published mix so in terms of style I was more focused on expressing my versatility. I now have a more solid identity for ‘MTAGGA’ which dwells within the realms of afro-house, tribal and a weird sound I dub as ‘psychedelic hedonism’. Mtagga’s style is a melodic journey through the narratives of my reality and surroundings as a dual-citizen. This is achieved by a story telling approach with the aim for one’s ears to open and soul to dance, my latest mix is a reflection of this identity. I still enjoy jaw-crunching techno though so I have developed a different alias for that style of techno, ‘Ntahilaja’. This sound is a lot more aggressive and dark but the aim is still the same, high energy release.

    Finally, what is the significance of the hyena imagery in the Soundcloud page?

    That image was taken in Serengeti, a national park in Tanzania, the imagery is meant to reflect my spirit animal in an African Forest, if it were South America it would be a Jaguar. I believe I’m pretty similar to a hyena, because like a hyena, I’m laid-back in attitude and I actually a pretty wildlife to be honest, but I’m still a predator. I guess the hyena imagery then serves as a metaphorical symbol of leading a pack on a sonic journey.

    Have a listen to the mix MTAGGA made to be shared on Bubblegum Club below:

  • Rose Bonica doesn’t want it to get to your head

    Rose Bonica doesn’t want it to get to your head

    Since her beginnings in 2016, Rose Bonica has quietly made a name for herself as a fresh and innovative producer of electronic music that, thanks to its many influences, defies classification within a specific genre. Unbound by the rules and structures inherent in club music, her productions instead are highly textured and often play with the listener’s expectations while still referencing the foundational elements of dance music. “I stick to a loose idea, like when there’s a break [the track] has to develop, but I still live arrange. I feel like copy-pasting, sticking to that structure, loses that kind of feeling and makes it really rigid, but I do try keep the live arrangement within the realms of the rules of what people actually resonate with,” Rose Bonica explains.

    Her second EP after 2017’s “Rosy Disposition”, “Don’t Let It Get To Your Head” sees Rose Bonica pushing herself more as a producer and artist, exploring new territories and honing her sound. Explaining her move to include her own vocals on this release Rose Bonica says, “I wanted to fuck with vocals. I found you can actually do a lot with vocals and I was tired of waiting for people to come to Hout Bay, so it was definitely a natural progression I wanted to push. I don’t know why I should sample someone else’s voice if I can attempt it first.” As a producer she is also pushing herself to incorporate more melody in her music, something she felt was lacking in her first release.

    Photography by Tatyana Levana

    Viewing production as a therapeutic outlet, Rose Bonica sees “Don’t Let It Get To Your Head” as a release that deals with how quickly one can veer off one’s own path, dealing with the industry and how easy it is for all these things to get to you. “I would say it’s just a culmination of everything like a break up in relationship terms and with the [industry]. Trying to step away from everything and the politics that go around this little city, and the world.”

    As on her previous release, the sounds and moods of “Don’t Let It Get To Your Head” are varied, with Rose Bonica’s sonic palette featuring everything from deep, droning techno basslines to drum patterns with a distinct afro-house feel, serene synth-leads and industrial percussion. Over the course of 6 tracks, Rose Bonica shows her versatility and originality as a producer, with the tracks on this EP each having their own sound yet fitting together as a coherent whole.

    With a visual treatment in partnership with Tamzyn Limb on the way and yet-to-be-announced festival bookings on the calendar, Rose Bonica is looking to bring her EP to life in way that is fun to experience and perform, all while remembering not to let it go to her head.