Tag: Aart Verrips

  • adidas Originals EQT | Born in the 90s

    Referencing the EQT from the 90s, adidas Originals brought back the design in January this year with innovative material and technology. As part of celebrating the re-birth of the EQT, an open invite went out to South Africans born in the ’90s to be photographed at different locations in Johannesburg.

    The open casting started off at ShelfLife in Rosebank on Friday 24 March. With Sam Turpin taking charge of the decks, people came through in their adidas gear to check out the updated EQT and do their part to represent ’90s babies. With a truck converted into a mobile photography studio, young photographer and digital artist Aart Verrips took portraits of South Africans born in the ’90s. The mobile studio headed off to AREA3 in Braamfontein on the Saturday, and ended on Sunday at Thesis in Soweto.

    The portraits will form part of a series of short films. More than that, they document a generation that lives by the words, “Everything that is essential. Nothing that is not”.

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  • Adidas releases a unique multi-media content collaboration featuring local style tribes and digital artists

    The forward-tilting trio of sleek bands, arch and encompass the iconic sneaker. A subtle zig-zag of a perforated edge is punctuated by straight stitching. Its rounded tongue, branded with the trefoil logo, peers out from a series of crisscrossing laces. Parallel to the classic three stripes, an uppercase text articulates this particular form of the Adidas Originals – the Gazelle.

    Born out the 1960’s, the Gazelle has been manifested in various forms. “Gazelle’s history is made from the fabric of re-appropriation; a legacy carried through style tribes from mod scenesters to the reggae crowd, from the brit-pop crew to the 90’s minimalists. At each space in time, it marked a change in creative ownership.” This season will experience a resurgence of the archival ’90s style.

    I am because we are.

    Remember the future.

    A unique multi-media content collaboration featuring local style tribes and digital artists.

    Local artists have been tasked to collectively create a visual remix. Lindiwe Ngubeni and Lulama Wolf alongside Dustin Van Wyk created a nostalgic pastel dream. A pink outline extends the curvature of Lindiwe and Lulama, perched across the page. Faded magazine cut-outs pay homage to the history of the sneaker.

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    FAKA – the performance pair were partnered with digital artist Aart Verrips. Visually enticing eclectic imagery emerged from these collaboration clusters. Shades of lavender to cobalt form a feint zebra hide, layered over a multiplicity of sneaker side views. Foregrounded by the art duo, FAKA. Donning dark Adidas-branded wear: bucket hats, exposed socks and the iconic Gazelles.

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    Lex Trickett collaborated with image maker Gabrielle Kannemeyer and Clint Sylvester. City-scape apartments pepper an ombré background. Silhouettes are deconstructed into fuchsian sneaker motifs – overlaid by chalky elevation plans. Each image is entirely different. However, cohesion does exist throughout.

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    The campaign embraces the humanist philosophy that originated in southern Africa: Ubuntu. Often articulated as the essence of humanity – drawing from a notion of connectedness and unity. Individuals operate out of a sense of collectivity rather than isolated individualism. This principle of collaboration is at the crux of the campaign.